Hand Mirror with the Dioscuri and King Amykos
Hand Mirror with the Dioscuri and King Amykos
Place of OriginItaly, excavated in Palestrina (ancient Praeneste)
Date300-200 BCE
Dimensions12 1/2 × 6 3/4 × 3 1/8 in. (31.7 × 17.1 × 8 cm)
4 3/4 × 1/4 × 1/4 in.
4 3/4 × 1/4 × 1/4 in.
MediumCast bronze with incised decoration
ClassificationMetalwork
Credit LinePurchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey
Object number
1980.1340
On View
Toledo Museum of Art (2445 Monroe Street), Gallery, 02, Classic
DescriptionThe reverse bears a finely engraved mythological scene framed by an undulating ivy vine with trilobed leaves and round berries. Two swimming dolphins occupy the lower field, above an inverted palmette with flanking volutes. The central medallion depicts Castor, Amycus, and Polydeuces in the episode of Amycus’s binding. Castor is shown from the back with spear, chlamys, and pilleus; Amycus appears bearded and bound to a tree; and Polydeuces stands crowned, armed, and extending his hand toward his captive. Their names, CASTOR, AMVCOS, and POLOVCES, are inscribed beside the figures.
Label TextModern mirrors are made by coating the reverse side of a piece of glass with a thin layer of reflective metal like silver or aluminum. Ancient mirrors, however, were highly polished pieces of metal, usually bronze or silver. They were expensive luxuries for the wealthy and were often highly decorated on the reverse (non-reflective) side. This mirror features an engraved design showing the twin heroes Castor and Polydeuces (called Pollux by the Romans) with King Amykus. The incised names are among the earliest examples of writing in Latin. When new, this mirror was golden in color, and the incised decoration would have been easy to see. Centuries of corrosion have made the decoration far less visible, so white pigment has been inserted in the lines to make it possible to read the details.Published ReferencesHelbig, Karl Friedrich Wolfgang, Bullettino dell'Instituto di corrispondenza archeologica, Rome, 1869, p. 14.
Heydemann, Heinrich Gustav Dieudonné, "Specchi Etruschi," Annales de l'institut de correspondance archaeologique, Rome, 1869, pp. 193-200, esp. p. 199.
Ephemeris Epigraphica; Corporis inscriptionum latinarum supplementum, vol. 1, 1872, p. 12, no. 18.
Monumenti inediti pubblicati dall'instituto di correspondenza archaeologica, Rome, 1869-1873, vol. IX, p. 7, tav. VII, no. 3.
Garrucci, Rafaelle, Sylloge inscriptionum Latinarum, 1877, no. 530. Rayet, Olivier, Gazette des Beaux-Arts, vol. 18, 1878, pp. 367, 370.
Catalogue d'objets d'art et de haute curiosité de la collection de Benjamin Fillon: Vente, Hôtel Drouot, 20–24 mars 1882, Paris, p. 26, no. 11; illustration on p. 27.
Lattes, Elia, “Le iscrizioni paleolatine dei fittili e dei bronzi di provenienza etrusca,” Rivista di Filologia e di Istruzione Classica, vol. 21, Torino, 1893, no. 113.
Klügmann, Heinrich, and Gustav Körte, Etruskische Spiegel, Berlin, G. Reimer, 1897, pp. 113–114, pl. 90.
Rossbach, Otto, “Amykos,” in Festschrift für Otto Benndorf, ed. Karl Masner, Vienna, A. Hölder, 1898, p. 150.
Behn, Friedrich, Die Ficoronische Cista: Archäologische Studie, Leipzig, B.G. Teubner, 1907, pp. 63–64.
Matthies, Gustav, Die Praenestinischen Spiegel, Leipzig, B.G. Teubner, 1912, p. 73, fig. 12.
CIL I, pt. 2, fasc. 1, 1918, p. 428, no. 548.
Lommatzsch, Cora Ernesti; Mommsen, Theodoro (ed.), Inscriptiones Latinae Antiquissimae ad C. Caesaris Mortem, Berlin, 1918, fasc. I, p. 428, no. 548.
Giglioli, Giulio Quirimo, L'Arte Etrusca, Milan, 1935, pl. CCCIV, 3, p. 57.
Marchese, Luigi, “Il mito di Àmico nell’arte figurata – Fortuna di un mito greco nell’arte etrusca,” Studi Etruschi, vol. 18, 1944, p. 57, fig. 2.
Beazley, John D., Etruscan Vase Painting, Oxford, Clarendon Press, 1947, p. 58.
Howe, Thalia Phillies, “Sophokles, Mikon and the Argonauts,” American Journal of Archaeology, vol. 61, no. 4, 1957, p. 344, n. 20, pl. 102, fig. 3.
Sapelli, Maria, “Temi letterari nei graffiti prenestini,” Acme, vol. 28, 1975, pp. 243–244, fig. 12.
Maccabruni, Claudia, “Recupero di un noto specchio prenestino,” Numismatica e Antichità Classiche. Quaderni Ticinesi, vol. 6, 1977, pp. 53–71, pls. 1–3.
Sotheby & Co., Catalogue of Antiquities, London, 15 July 1980, pp. 54–55, lot 99.
Weis, Harriett Anne, “The Motif of the Adligatus and Tree: A Study in the Sources of Pre-Roman Iconography,” American Journal of Archaeology, vol. 86, no. 1, 1982, pp. 33–34, no. 6.
Bonfante, Larissa, "Corpus Speculorum Etruscorum," [review of four fascicules] American Journal of Archaeology, vol. 88, no. 2, Apr. 1984, p. 280.
Bonfante, Larissa, ed., Etruscan Life and Afterlife, Detroit, 1986, p. 270, fig. VIII - 55.
Richardson, Bemeline H., "The tree and the spring: the story of Amycus and the Dioscuri," Archaeological News, vol. 13, no. 3/4, Fall/Winter 1984, pp. 57-67, fig. 1-4.
DePuma, Richard D., Corpus Speculorum Etruscorum, U.S.A. l: Midwestern collections, Ames, IA, 1986, p. 56-58, pl. 39 a-d, p. 208-211.
Lexicon iconographicum mythologiae classicae (LIMC), Zürich, 1981-1999, vol. I, pt. 1, p. 740, no. 13, vol. III, pt. 1, p. 605, no. 87.
Carpino, Alexandra A., “Greek Mythology in Etruria: An Iconographic Analysis of Three Etruscan Relief Mirrors,” in Hall, John Franklin (ed.), Etruscan Italy: Etruscan Influences on the Civilizations of Italy from Antiquity to the Modern Era, Provo, UT, Museum of Art, Brigham Young University, 1996, pp. 73, 87, fig. 8.
Carpino, Alexandra A., Discs of Splendor: The Relief Mirrors of the Etruscans, Madison, University of Wisconsin Press, 2003, pp. 24, 38.
Franchi De Bellis, Annalisa, Iscrizioni prenestine su specchi e ciste, Allesandria, Ed. dell'Orso, 2005, pp. 32-39, pl. IIa and b.
Exhibition HistoryToledo Museum of Art, The Museum Collects: Treasures by Sculptors and Craftsmen, December 7, 1980 - January 25, 1981, p. 12-13, repr.Boston and Sandwich Glass Works
1820-1840 (Bottles); 1825-1840 (Mustard pot)
Boston and Sandwich Glass Works
1820-1840 (Bottles); 1825-1840 (Mustard pot)
Boston and Sandwich Glass Works
1820-1840 (Bottles); 1825-1840 (Mustard pot)
Boston and Sandwich Glass Works
1820-1840 (Bottles); 1825-1840 (Mustard pot)
about 1500
1st to 3rd century CE
668-627 BCE
about 300 CE
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