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Pulegoso Vittoriale

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Pulegoso Vittoriale

Designer Napoleone Martinuzzi , 1892-1977 (Italian, 1892 - 1977)
Place of OriginVenice, Italy
Dateabout 1955, (design about 1930)
Dimensions13 3/8 × 12 × 7 3/4 in. (34 × 30.5 × 19.7 cm)
MediumGlass, gold leaf; blown, applied decoration.
ClassificationGlass
Credit LineGift of Jefferson D. Robinson in memory of his wife, Mary Elizabeth Robinson, by exchange
Object number
2008.145
On View
Toledo Museum of Art Glass Pavilion (2444 Monroe Street), Glass Pavilion Gallery, 3
DescriptionVessel with ovoid body blown of bubbly green glass (pulegoso), short neck constricting near rim and thick applied rim decorated with gold leaf. On either side of the body are applied black ribbed handles, each consisting of a vertical row of five C-scrolls with applied gold foil.
Label TextSculptor Napoleone Martinuzzi (Italian, 1892–1977) was artistic director of the Venini glass company from 1925 to 1932 and was responsible for the great success of Modernist influence in the company’s production. He conducted enthusiastic research into materials, inventing new kinds of glass and finishes as well as unusual lighting effects with bubbles and gold leaf. Venetian glass had historically been prized for its lightness and transparency (see Venetian Renaissance glass in Gallery 4). “Pulegoso” glass (from the Italian dialect word pulega, "bubble") was developed by Martinuzzi in the late 1920s. It is a glass containing numerous bubbles of all sizes, produced by adding bicarbonate of soda, gasoline, or other substances to the melt. The bubbles make the glass semi-opaque and give the surface an irregular texture. Martinuzzi’s ten-handled amphora, named “Vittoriale” for the villa of an Italian poet, remains one of the finest examples of this technique.Published ReferencesBarovier, Marina, Napoleone Martinuzzi, Padua, 2001, p. 80, fig. 21.

Venini, Blue Catalog, no. 3273, ill. no. 431 Triennale Archives (see reprint in Franco Deboni, I vetri Venini, 1921-2007).

Murano Glass from the Olnick Spanu Collection, p. 61 (ill.), 2003, p. 258, no. 22.

Comparative ReferencesSee also Viva vetro! Glass Alive! Venice and America. Carnegie Museum of Art, 2007, pp. 53 (ill.), and 189.
Gold Glass Tile
Byzantine Empire
9th-12th century
Gold Glass Tile
Byzantine Empire
9th-12th century
Fragment of a shallow bowl
19th or 20th century
Tube with Two Handles
9th-11th century CE (?)
Sculptural Vase
Ercole Barovier
about 1970
Harvey Littleton: Technique is Dear
Erwin Eisch
2004 (design of mold about 1976)
Graal Vase
Heinrich Wollman
1920
Inverted Conical Jug
Probably sixth to early seventh centuries
Ovoid Jar with Two Handles
Probably fourth century

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