The Blue Necklace
The Blue Necklace
Artist
Eugene Edward Speicher
(American, 1883-1962)
Dateabout 1937
DimensionsFrame: 48 3/4 × 42 5/8 × 2 1/2 in. (123.8 × 108.3 × 6.4 cm)
MediumOil on canvas
ClassificationPaintings
Credit LinePurchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey
Object number
1937.11
Not on View
Art Digest, vol. 12, Oct. 1, 1937, repr. (col.) p. 27.
Carnegie Institute, Carnegie Magazine, vol. 11, Oct. 1937, p. 140, repr.
Life Magazine, Dec. 20, 1937, repr. (col.) p. 27.
Boswell, P., Modern American Painting, New York, 1939, p. 193, repr. opp. p. 190 (col.).
Klitgaard, Kaj, Through the American Landscape, Chapel Hill, 1941, p. 299, repr. opp. p. 293.
Saint-Gaudens, Homer, American Artist and His Times, New York, 1941, p. 290, repr. pl. 57.
The Studio, vol. 127, May 1944, p. 164, repr.
American Artists Group, Eugene Speicher, New York, 1945, repr.
Larkin, Oliver, Art and Life in America, New York, 1960, p. 376, repr. p. 378.
Toledo Museum of Art, The Toledo Museum of Art, American Paintings, Toledo, 1979, p. 101, pl. 196.
Exhibition HistoryPittsburgh, Carnegie Institute, 1937 International Exhibition of Paintings, 1937, no. 16, repr. pl. 22.Bloomington Art Association, Old and Modern Masters, Contemporary Americans, 1939.
Cincinnati Art Museum, 1940.
Columbia, University of Missouri, 1944.
Providence, Rhode Island School of Design Museum, 1946.
Andover, Addison Gallery of American ART, 1946.
The Art Gallery of Toronto and the Toledo Museum of Art, Two Cities Collect, 1948, no. 30, repr.
Buffalo, Albright Art Gallery, Eugene Speicher, A Retrospective Exhibition of Oils and Drawings...1908-1949, 1950, no. 17.
The Toledo Museum of Art, Fiftieth Anniversary Exhibition of Contemporary American Oil Paintings Acquired by the Toledo Museum 1901-1951, 1951.
The Art Gallery of Hamilton (Ontario), American Realists, 1961, no. 58, repr.
New York, American Academy of Arts and Letters, Eugene Speicher, Memorial Exhibition, 1963, no. 58.
San Diego Museum of Art; El Paso Museum of Art, Idol of the Modern: Pierre-Auguste Renoir and American Painting, 2002-2003, no. 40, pp. 45, 74, repr. (col.), p. 98.
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