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Across the Salt Marshes, Huntington

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Across the Salt Marshes, Huntington

Artist Edward Jean Steichen (American, 1879-1973)
Dateabout 1905
DimensionsPainting: 15 × 18 in. (38.1 × 45.7 cm)
Frame: 27 × 30 × 3 1/4 in. (68.6 × 76.2 × 8.3 cm)
Mediumoil on canvas
ClassificationPaintings
Credit LineGift of Florence Scott Libbey
Object number
1912.4
On View
Toledo Museum of Art (2445 Monroe Street), Gallery, 29A
Label TextViewed as if through a veil, the salt marshes of Huntington, Long Island, take on a mysterious, evocative aura in Edward Steichen’s painting. A champion of European and American modernism and of photography as art, Steichen stopped painting around 1921, burning all of the paintings in his studio in order to commit himself fully to photography. This rare canvas shows an intriguing relationship to his dreamy, soft-focus photographs of the early 1900s.Published ReferencesAmerican Art Annual, Washington, vol. 20, 1923, p. 698.

Toledo Museum of Art, The Toledo Museum of Art, American Paintings, Toledo, 1979, p. 102, pl. 115.

Pisano, Ronald G., Long Island Landscape Painting 1820-1920, Boston, 1985, p. 148, repr. (col.).

Exhibition HistoryWorcester, Worcester Art Museum, Exhibition of Paintings by Edward J. Steichen, 1910, no. 19.

San Francisco, M.H. DeYoung Memorial Museum and the California Palace of the Legion of Honor, The Color of Mood, American Tonalism 1880-1910, no. 39 (cat. by W. Corn).

Toledo, The Toledo Museum of Art, Fiftieth Anniversary Exhibition of Contemporary American Oil Paintings Acquired by the Toledo Museum 1901-1951, 1951.

Southampton, NY, Parrish Art Museum, The Long Island Landscape 1865-1914: the Halcyon Years, 1981, no. 79.

Huntington, NY, Heckscher Museum, The Paintings of Eduard Steichen, 1985, p. 45, repr. p. 20.

New York, IBM Gallery of Science and Art, American Paintings from the Toledo Museum of Art, 1986.

Washington, D.C., Federal Reserve Board Building, The Paintings of Eduard J. Steichen, 1988, no. 17, repr. p. 8.

New York, Whitney Museum of American Art, Edward Steichen, 2000-2001, pp. 20-21, fig. 25, p. 65.

Williamstown, MA, Sterling and Francine Clark Art Institute, Like Breath on Glass: Whistler, Inness, and the Art of Painting Softly, 2008, p. 13, pl. 38 (col.).

Hazy Day on the Marshes, New Jersey
Martin Johnson Heade
about 1871-1875
Gloria Swanson, New York
Edward Jean Steichen
1924
William M. Chase
Edward Jean Steichen
1906
Heavy Roses, Voulangis, France
Edward Jean Steichen
1914 (printed about 1960)
The Coming Train
Edward Lamson Henry
1880
The Blue Necklace
Eugene Edward Speicher
about 1937
Two on the Aisle
Edward Hopper
1927
Venosa
Edward Lear
1852
Florence Scott Libbey
Jean MacLane
20th Century
The Deposition
Jean-Baptiste Jouvenet
1709
Fear (La Crainte)
Jean-Baptiste Le Prince
1769

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