Editions Alecto, London, 1967

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Untitled (Black text on blue, "the body as a tool for grasping reality..."; stained glass window look-alike at top)

Eduardo Luigi Paolozzi

1967

Untitled (Black text on magenta, "Isamu Noguchi supplied the model...")

Untitled (Black text on magenta, "Isamu Noguchi supplied the model...")

Eduardo Luigi Paolozzi

1967

Untitled (Black text on orange, "French Restaurant")

Untitled (Black text on orange, "French Restaurant")

Eduardo Luigi Paolozzi

1967

Untitled (Black text on white, "But in point of fact origen's..." in the shape of a concrete poem)

Untitled (Black text on white, "But in point of fact origen's..." in the shape of a concrete poem)

Eduardo Luigi Paolozzi

1967

Image Not Available

Untitled (Black text on white, "Discipline of Disaster")

Eduardo Luigi Paolozzi

1967

Untitled (Black text on white, "How the various current-curves were produced...")

Untitled (Black text on white, "How the various current-curves were produced...")

Eduardo Luigi Paolozzi

1967

Untitled (Black text on white, "Ruas do Rio de Janeiro")

Untitled (Black text on white, "Ruas do Rio de Janeiro")

Eduardo Luigi Paolozzi

1967

Untitled (Black text on white, "The Acropolis gives up a secret..." with black dotted X through center)

Untitled (Black text on white, "The Acropolis gives up a secret..." with black dotted X through center)

Eduardo Luigi Paolozzi

1967

Untitled (Black text on white, "The Media Landscape")

Untitled (Black text on white, "The Media Landscape")

Eduardo Luigi Paolozzi

1967

Untitled (Black text on white, "There is nothing in nature and conception...")

Untitled (Black text on white, "There is nothing in nature and conception...")

Eduardo Luigi Paolozzi

1967

Untitled (Black text on yellow, "Almost a complete circle...")

Untitled (Black text on yellow, "Almost a complete circle...")

Eduardo Luigi Paolozzi

1967

Untitled (Black text on yellow, "Dupont's polyester surface and squashed...")

Untitled (Black text on yellow, "Dupont's polyester surface and squashed...")

Eduardo Luigi Paolozzi

1967

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