Pointed Neck-Amphora (storage vessel): Herakles (Hercules) and the stag in the presence of Athena

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Pointed Neck-Amphora (storage vessel): Herakles (Hercules) and the stag in the presence of Athena

Artist The Acheloos Painter, Leagros Group (Greek)

Place of OriginGreece, from Attica

Dateabout 510 BCE

DimensionsH: 19 11/16 in. (50 cm); Diam (rim): 6 3/8 in. (16.2 cm); Diam (body): 12 19/32 in. (32 cm); Diam (foot): 3 in. (7.6 cm)

MediumBlack Figure; Wheel-thrown, slip-decorated earthenware with incised details.

ClassificationCeramics

Credit LinePurchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey

Object number

1958.69A

On View

Toledo Museum of Art (2445 Monroe Street), Gallery, 02, Classic

DescriptionFront and Back: Herakles (Hercules) and the stag in the presence of Athena.

Label TextRumored to be able to outrun an arrow in flight, the Ceryneian Hind would prove difficult to capture for Herakles. After chasing this prized pet of the goddess Artemis for over a year, Herakles finally took to his bow and shot the legendary doe through the hind leg, wounding it. He tended to the wound and began carrying the beast back to King Eurystheus, who was directing Herakles’ twelve labors, when he ran into Artemis and her brother Apollo. Herakles begged for forgiveness, explaining that he was bound by his labors. Artemis forgave the hero, foiling Eurystheus’ hope of adding another vengeful goddess to Herakles’ list of enemies.Published References

Kunstwerke Der Antike, Auktion XVIII, Münzen und Medaillen, A.G., Basel, November 29, 1958, lot 102 (1).

Arts, Paris, Dec. 31, 1958, no. 703.

"Accessions of American and Canadian Museums, July-Sept. 1959," Art Quarterly, vol. 22, 1959, p. 385, repr. p. 384.

La Chronique des Arts, (supplement a la Gazette des Baux-Arts), no. 1092, Jan. 1960, p. 29, repr.

Brommer, Frank, Vasenlisten zur greichischen Heldensage, 2nd ed., Marburg, 1960, p. 62, no. 23.

Washington, Seldon, "Greek Vase Painting," Toledo Museum of Art Museum News, new series, vol. 5, no. 4, Winter 1962, repr. p. 90.

Vermuele, Emily, "Myths, Shapes and Colors," Apollo, vol. 86, no. 70, Dec. 1967, p. 424, p. 422 repr., figs. 7.

Riefstahl, Rudolf M., "Greek Vases," Toledo Museum of Art Museum News, new series, vol. 11, no. 2, 1968, repr. p. 37.

Beazley, Sir John Davidson, Paralipomena, Oxford, 1971, pp. 168-169 and note, p. 169.

Luckner, Kurt T., "Greek Vases: Shapes and Uses," Toledo Museum of Art Museum News, new series, vol. 15, no. 3, 1972, pp. 64, 65, repr. fig. 2 and cover (col.).

Brommer, Frank, Vasenlisten zur griechischen Heldensage, 3rd ed., Marburg, 1973, p. 76, no. 12.

Boardman, John, Athenian Black Figured Vases, London, 1974, p. 111, repr. fig. 209.

Moret, Jan-Marc, LiIlioupersis dans la céramique italiote, Rome, 1975, vol. I, p. 198-199, no. 3.

Boulter, Cedric G., and Kurt T. Luckner, Corpus vasorum antiquorum: Toledo Museum of Art, U.S.A. Fasc. 17, Toledo, 1976, p. 8-9, repr. pl. 14; 15,1 and 2, fig. 3-4.

Johnston, Alan, "Hunting scenes on Greek vases," Connoisseur, vol. 196, no. 789, Nov. 1977, p. 165, repr. (col.) p. 161.

Greek Vase-Painting in the Midwestern Collections, Chicago, Art Institute, 1980, no. 73, p. 128, repr. (col.) pl. IV.

Lexicon iconographicum mythologiae classicae, Zurich, 1990, v. V, pt. 1, p. 50, no. 2184, repr. v. V, pt. 2, pl. 67.

Exhibition History

Chicago, Art Institute, Greek Vase-Painting in the Midwestern Collections, 1979-1980, no. 73, p. 128, repr. (col.) pl. IV.