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Column Krater (Mixing Vessel) with Boar Hunt and Wedding Procession

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Column Krater (Mixing Vessel) with Boar Hunt and Wedding Procession

Place of OriginGreece, Corinth
Dateabout 560 BCE
DimensionsH. 13 13/16 × W. (max) 16 1/4 × Diam. rim 12 3/8 × Diam. base 6 15/16 × Diam. body 14 9/16 in. (35.1 × 41.3 × 31.5 × 17.6 × 37 cm)
MediumEarthenware / terracotta, black-figure technique with added red and incised details .
ClassificationCeramics
Credit LinePurchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey
Object number
1970.2
On View
Toledo Museum of Art (2445 Monroe Street), Gallery, 02, Classic
DescriptionLarge Corinthian mixing vessel with two figural friezes: a boar hunt and a wedding procession. Decorated with incised details, added red for emphasis, and bands of black and red glaze. Features griffins and sirens on handle plates and a lower frieze of roosters, deer, and goats. The main decorative scheme includes two narrative friezes encircling the vessel’s body. The upper frieze on Side A depicts a vivid boar hunt, showing a charging boar at the center, attacked by hunters armed with spears. The composition is dynamic, with details like blood dripping from the boar and a fallen hunter beneath it. Added red accents emphasize elements such as the hunters’ cloaks, the boar’s wounds, and the hounds. The hunters are shown in varying postures, some nude and others wearing short cloaks, creating a sense of action and tension. The upper frieze on Side B portrays a wedding procession, where a bride and groom ride in a four-horse chariot, surrounded by attendants. Figures are dressed in finely detailed chitons and himatia, with added red highlighting their garments. Snakes and birds are interspersed among the figures, and the procession’s formal arrangement contrasts with the chaotic energy of the hunt. Below the narrative scenes is a continuous lower frieze of animals, featuring roosters, deer, and goats in a rhythmic, repeating pattern. The decorative details continue onto the handles and plates, where siren figures with outstretched wings and griffins add a mythological touch. The krater’s rim and foot are adorned with zigzag and banded patterns, combining black glaze and red accents.
Label TextThis large Corinthian column krater presents two contrasting scenes: a deadly boar hunt and a serene wedding procession. On one side, fierce hunters and snarling dogs confront a massive boar, recalling tales of legendary hunts in Greek mythology. On the other, a stately chariot carries a veiled bride, surrounded by attendants. Created in the city of Corinth around 560 BCE, this vessel was used to mix wine and water at social gatherings called symposia.Published ReferencesLuckner, Kurt T., "Greek Vases: Shapes and Uses," Toledo Museum of Art Museum News, vol. 15, no. 3, 1972, p. 71, figs. 13-14.

Brommer, F. Vasenlisten zur griechischen Heldensage, vol. 3, 1973, p. 311, no. c-5.

The Toledo Museum of Art, Guide to the Collections, Toledo, 1976, p. 10, no. 2.

Ebertshäuser, H.H. and M. Waltz, Antiken I, Vasen-Bronzen-Terrakotten des klassischen Altertums, Munich, 1981, p. 61, figs. 73-74.

Boulter, Cederic G. and Kurt T. Luckner, Corpus Vasorum Antiquorum, Toledo Museum of Art fasc. 2, U.S.A. fasc. 20, Mainz, 1984, pls. 77, 78, 79.

Amyx, Darrell Arlynn, Corinthian Vase-Painting of the Archaic Period, Berkeley, University of California Press, 1988, p. 163.

Shapiro, Harvey Alan, “Old and New Heroes: Narrative, Composition, and Subject in Attic Black-Figure,” Classical Antiquity, vol. 9, no. 1, April 1990, pp. 119 [as securely identified Calydonian hunt].

Barringer, Judith M., "Atlanta as model: the hunter and the hunter," Classical Antiquity, vol. 15, no. 1, April 1996, p. 56, fig. 4 a-b.

Barringer, Judith M., The Hunt in Ancient Greece, Baltimore, Johns Hopkins University Press, 2001, p. 249, n. 130.

Toledo Museum of Art, Toledo Museum of Art Masterworks, Toledo, 2009, p. 68, repr. (col.).

Albersmeier, Sabine, ed., Heroes! Mortals and Myths in Ancient Greece, Baltimore, MD, Walters Art Gallery, 2009, no. 99, repr. (col.) p. 295.

Exhibition HistoryBaltimore, Walters Art Museum; Nashville, Frist Center for the Visual Arts; San Diego, San Diego Museum of Art; New York, Onassis Center, Heroes! Mortals and Myths in Ancient Greece, October 11, 2009 – January 3, 2011.
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