Loculus Relief with Portrait of Umm'abi

Place of OriginPalmyra (Tadmor), Syria

Dateabout 200

Dimensions23 x 19 in. (58.4 x 48.3 cm)

Mediumlimestone with traces of pigment

ClassificationSculpture

Credit LinePurchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey

Object number

1962.18

On View

Toledo Museum of Art (2445 Monroe Street), Gallery, 02, Classic

Collections

Sculpture

Published ReferencesMackay, Dorothy, "The Jewellery of Palmyra and its Significance," Iraq, vol. 11, 1949, pp. 160-187, pl. LX, 1, "Ummabi (by kindness of Abbe J. Starcky)" drawing of armlet p. 177, fig. 6a.

Sotheby's 217th Season, London, 1961, p. 50, repr.

"Cronache-Londra; Sculpture Antiche all'Arcade Gallery," Emporium, Revista Mensile D'Arte e di Culture, December 1961, no. 804, p. 284, repr.

"New Accessions," Toledo Museum of Art Museum News, new series, vol. 7, no. 4, Winter 1964, repr. p. 81.

Frankfurter, Alfred, "Museum Evaluations, 2: Toledo," Art News, vol. 63, no. 9, January 1965, pp. 24-27, 52-56, repr. p. 25.

"New Accessions U.S.A.," Gazette des Beaux-Arts, vol. 65, no. 1153, February 1965, no. 130, p. 29, repr.

Spaeth, Eloise, American Art Museums, New York, 1969, rev. ed., p. 205.

Toledo Museum of Art, A Guide to the Collection, Toledo, 1966, repr.

Hoke, Victoria, "Portrait of Ummabi," Toledo Museum of Art Museum News, new series, vol. 17, no. 3, 1974, pp. 51-53, repr. p. 52.

Vermeule, Cornelius, Greek and Roman Sculpture in America, Berkeley, 1981, p. 380-381, repr. p. 281.

Levy, Virginia, Let's go to the art museum, Pompano Beach, Fl., 1983, repr. p. 22.

Toledo Museum of Art, Toledo Museum of Art Masterworks, Toledo, 2009, p. 97, repr. (col.).

Krag, Signe, Funerary Representations of Palmyrene Women From the First Century BC to the Third Century AD in Studies in Classical Archaeology, vol. 3, Turnhout, Brepols, 2018, 42 n. 153 n. 156, 53 n. 259, 54 n. 262, 56 n. 291, 59 ns 316-17, 61 n. 336, 106 n. 98, 108 n. 125, 110 n. 141, 354, cat. no. 720.

Bobou, Olympia, Amy Miranda, Rubina Raja, and Jean-Baptiste Yon (eds.), The Ingholt Archive: The Palmyrene Material, Transcribed with Commentary and Bibliography, Volume Three, Brepols, 2023, 1430, no. PS 1385.

Exhibition HistoryLondon, Arcade Gallery, 1961, repr. in catalogue.

Toledo, The Toledo Museum of Art, Treaures for Toledo, Dec. 1964 and Jan. 1965.

Worcester, Worcester Art Museum; Cleveland, Cleveland Museum of Art; Baltimore, Baltimore Museum of Art, Antioch: the lost ancient city, 2000-2001, no. 10, p. 122, repr. (col.).

Comparative ReferencesSee also Bossert, H.T., Altsyrien, Tubingen, 1951, p. 169, no. 549 (female funerary bust in Istamboul Museum).

See also Champdor, A., Les Ruines de Palmyre, Paris, 1953, pp. 26, 27, 41, 41, 57, 91, 107, (illustrations of several comparable busts).

Label TextHundreds of portraits survive from Palmyra. Most are sculpted stone slabs used to seal graves cut into the walls of the tombs of wealthy merchant families. The linear style of carving and the clothing and jewelry reflect local fashions rather than those of cities around the Mediterranean Sea. Umm’abi wears a tunic under a cloak and on her head a turban and a floor-length veil. Her lavish jewelry includes a diadem, four necklaces, a brooch with ivy-leaf pendants, rings, cuff armlets, and spiral bracelets. The sculpture was once painted: traces of red, blue, green, and yellow pigment can be seen on the jewels.