Diptych Wing with the Crucifixion

Image Not Available

Expand

IIIFView PDF

Diptych Wing with the Crucifixion

Place of OriginParis, France

Dateabout 1300-1325

Dimensions9 5/8 × 5 × 1/2 in. (24.4 × 12.7 × 1.3 cm)

Mediumivory

ClassificationSculpture

Credit LinePurchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey

Object number

1950.301

Not on View

Collections

Sculpture

Published ReferencesCatalogue of Bronzes and Ivories, exhibition catalogue, London, Burlington Fine Arts Club, 1879, no. tbc.

Koechlin, R., Les Ivoires gothiques français, Paris, 1924, II, no. 414 (left wing); III, pl. LXXXVI.

Riefstahl, Rudolph M., "Medieval Art," Toledo Museum News, New Series, vol. 7, no. 1, Spring 1964, p. 15, repr. (also published as Medieval Art).

"Medieval Art at Toledo: a Selection," Apollo, vol. 86, no. 70, Dec. 1967, p. 441, repr. fig. 11.

Gaborit-Chopin, D., Nouvelles acquisitions du départment des objet d'art 1985-1989, Paris, 1990, pp. 53-54, fig. 20a.

Randall, Richard H. Jr., The Golden Age of Ivory: Gothic Carvings in North American Collections, New York, 1993, p. 63-64, repr. p. 63.

Barnet, Peter, Images in Ivory: Precious Objects of the Gothic Age, Detroit, Detroit Institute of Arts, 1997, no. 23, pp. 155-156, 157, repr. (col.) p. 155, (det.) p. 156.

L'Art au temps des rois maudits Philippe le Bel et ses fils 1285-1328, Paris, Galeries nationales du Grand Palais, 1998, no. 111, p. 176-177, repr. (col.).

D. Gaborit-Chopin, Ivoires médiévaux, Ve-XVe siècle, Paris, Musée du Louvre, 2003, pp. 342-344.

Toledo Museum of Art, Toledo Museum of Art Masterworks, Toledo, 2009, p. 111, repr. (col.).

The Courtauld Institute of Art, Gothic Ivories,2015, Link to resource.

Exhibition HistoryLeeds, 1868.

London, Burlington Fine Arts Club, 1879.

Detroit, Detroit Institute of Arts; Baltimore, Walters Art Gallery, Images in Ivory: Precious Objects of the Gothic Age, 1997.

Paris, Galeries nationales du Grand Palais, L'Art au temps des rois maudits Philippe le Bel et ses fils 1285-1328, 1998.

Label TextBy 1250, Paris had become the major center of ivory carving in Europe. It maintained this status for over a century. Masterfully carved, this ivory plaque was originally part of a diptych, a two-winged, hinged shrine used for private Christian devotion. Its imagery perfectly exemplifies an important new direction in late medieval culture: the exploration and expression of human emotion. The left wing of the diptych resides today in the Musée du Louvre, Paris.