Water Lilies
Water Lilies
Artist
Claude Monet
(French, 1840-1926)
Place of OriginGiverny, France
Dateabout 1922
DimensionsPainting: 79 × 84 in. (200.7 × 213.4 cm)
Framed: 81 3/4 × 86 3/4 × 2 1/2 in. (207.6 × 220.3 × 6.4 cm)
Framed: 81 3/4 × 86 3/4 × 2 1/2 in. (207.6 × 220.3 × 6.4 cm)
Mediumoil on canvas
ClassificationPaintings
Credit LinePurchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey
Object number
1981.54
On View
Toledo Museum of Art Glass Pavilion (2444 Monroe Street), Glass Study Room GP
Leymarie, J., Impressionism, Geneva, 1955, II, p. 119, repr. (color detail) (as about 1907).
Vollard, Ambroise, Souvenirs d'un marchand de Talbeaux, Paris, 1957, p. 8 (repr. detail).
Rouart, D. and Rey, J.D., Monet Nympheas, Paris, 1972, (English ed., New York, 1974), with catalogue raisonne by R. Maillard, unpaginated (as ca. 1916-1921).
Stuckey, C., "Blossoms and Blunders: Monet and the State, II," Art in America, Sept. 1979, p. 123, no. 38 (as (1921-1922).
Bowness, Alan, ed., Impressionists and Post-Impressionists, New York, 1965, repr. (col.) p. 145.
Hoog, Michel, Monet, Paris, 1978, no. 71, repr.
Leveque, J.J., Monet, Paris, 1980, p. 131, repr. detail.
Andrews, Peter, "A View of Toledo," Connoisseur, vol. 212, no. 849, Nov. 1982, p. 110, repr. (color detail).
"La chronique des arts," Gazette Des Beaux-Arts, vol. 101, no. 1370, Mar. 1983, repr. p. 41.
Wildenstein, Daniel, Claude Monet: Bibgraphie et catalogue raisonne, Lausanne, 1985, vol. IV, no. 1804, p. 258, repr.
Spate, Virginia, Claude Monet: Life and Work, New York, 1992, fig. 281, p. 273 [as yellow and mauve nympheas, Kunstmuseum, Zurich].
The Toledo Museum of Art, Toledo Treasures, Toledo, 1995, p. 162, repr. (col.).
"Claude Monet, 1840-1926," Art A Facts, vol. 2, no. 1, Aug/Sept 1998, repr. (col.) cover.
Wildenstein, Daniel, Monet, or the Triumph of Impressionism, Cologne, 1996, vol. IV, no. 1804, pp. 852-853, repr. p. 851 (col.).
Bumpus, Judith, "The Late Show," RA [Royal Academy] Magazine, no. 61, Winter 1998, repr. (col.) pp. 38-39, and (col. det.) on cover.
Stanley, Jerome, Historic Parallels in the Arts: Selected Studies A.D. 800-1985, Dubuque, Iowa, 1995, pp. 185, 191, fig. 19.1, p. 185.
"Monet au XXe siecle: le chant du cygne de l'impressionisme," L'Estampille/l'Object d'Art, no. 333, Feb. 1999, p. 36, fig. 9 (col.).
Southgate, M. Therese, "The Cover," JAMA, Journal of the American Medical Association, vol. 286, no. 7, Aug. 15, 2001, p. 764, repr. (col.), and on cover (col.).
Reich, Paula, Toledo Museum of Art: Map and Guide, London, Scala, 2005, p. 41, repr. (col.).
Claude Monét (1840-1926): a Tribute to Daniel Wildenstein and Katia Granoff, New York, Wildenstein, 2007, p. 141.
Rey, Jean Dominique and Denis Rouart, Monet, les nympheas l'integalite, Paris, Flammarion, 2008, repr. p. 135 (col.).
Toledo Museum of Art, Toledo Museum of Art Masterworks, Toledo, 2009, p. 273, repr. (col.).
Reich, Paula, Toledo Museum of Art: Map and Guide, London, Scala, 2009, p. 41, repr. (col.)
Exhibition HistoryZurich, Kunsthaus, Claude Monet, 1952, no. 117.Zurich, Kunsthaus, Sammlung Emil G. Buhrle, 1958, no. 189 (as about 1910).
Boston, Museum of Fine Arts; London, Royal Academy of Arts, Monet in the 20th century, 1998-1999, no. 59, p. 192, repr. p. 194 (col.).
San Francisco, de Young Museum; Fort Worth, Kimbell Art Museum, Monet: The Late Years, Feb. 16-Sept. 15, 2019.
Hiroshi Yoshida
1926 (Taisho jugonen saku)
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