The Agony in the Garden
The Agony in the Garden
Artist
Domenikos Theotokopoulos, called El Greco
(Greek, active in Spain, 1541-1614)
Dateabout 1590-1595
DimensionsPainting: 40 1/4 x 44 3/4 in. (102.2 x 113.7 cm)
Framed: 54 1/2 in. x 58 3/4 x 3 in. (138.4 x 149.2 x 7.6 cm)
Framed: 54 1/2 in. x 58 3/4 x 3 in. (138.4 x 149.2 x 7.6 cm)
Mediumoil on canvas
ClassificationPaintings
Credit LinePurchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey
Object number
1946.5
On View
Toledo Museum of Art (2445 Monroe Street), Gallery, 15
Mayer, A.L., El Greco, Munich, 1916, p. 30, pl. 59.
Mayer, A.L., Dominico Theotocopuli El Greco, Munich, 1926, no. 55, repr. p. 10.
Mayer, A.L., El Greco, Berlin, 1931, p. 120, fig. II.
Cheney, Sheldon, Expressionism in Art, New York, 1934, p. 143, repr.
Legendre, M., and A. Hartmann, Domeniko Theotokopoulos, called El Greco, Paris, 1937, pp. 176, 503, repr.
40 Masterpieces, St. Louis, City Art Museum of St. Louis, 1947, no. 19, p. 52, repr. p. 53, (as "Agony in the Garden").
Goldscheider, Ludwig, El Greco, New York, Oxford University Press, Phaidon Ed., 1938, p. 23, (2nd edition, 1954, pl. 68).
Gudiol, Jose, Spanish Painting, Toledo, The Toledo Museum of Art, 1941, p. 66, no. 44.
Comstock, Helen, "An Important El Greco Enters a Museum," Connoisseur, vol. 120, 1947, p. 42, repr. p. 40.
Frankfurter, Alfred M., "The Year's Best: 1947," Art News, vol. 46, January 1948, p. 37, repr.
Pach, Walter, The Art Museum in America, New York, Pantheon, 1948, repr. pl. 25.
Aznar, J. Camón, Dominico Greco, Madrid, 1950, II, p. 821, no. 109, fig. 634.
National Gallery, London, The Spanish School by Neil MacLaren, 1952, pp. 16-17.
Godwin, Molly Ohl, Master Works, Toledo Museum of Art, 1953, p. 12, repr. (col.) p. 13.
Myers, Bernard S., ed., Encyclopedia of Painting, New York, Crown Publishers, 1955, p. 214, repr. (col.).
Godwin, Molly Ohl, "Toledo Museum of Art: Post-war Additions," Connoisseur, vol. 136, no. 548, October 1955, pp. 130-140, repr. p. 134.
Cheney, Sheldon, A New World History of Art, New York, Viking Press, 1956, repr. p. 511.
The Venetian Tradition, Cleveland Museum of Art, 1956, p. 14, no. 14, pl. 37.
Guinard, P., El Greco, Geneva, 1956, p. 44, repr. p. 46.
Soehner, H., "Greco in Spanien, I: Grecos Stilentwicklung in Spanien," Müncher Jahrbuch der Bildenden Kunst, VIII, 1957, pp. 141, 144, 146, 148, 149, 151, fig. 20.
Nuno, J.A. Gaya, La pintura espanola fuera de Espana, Madrid, 1958, no. 1294.
Metropolitan Seminars in Art, Portfolio 3, Expressionism by John Canaday, 1958, pp. 8-10, 26, repr. p. 26, details repr., pp. 9-10, repr. (col.) in portfolio of plates, pl. 26.
Kubler, G., and M. Soria, Art and Architecture in Spain and Portugal and their American Dominions, 1500-1800, Harmondsworth, 1959, pp. 213-215, pl. 110.
Allison, Clyde M., "The Problem of Portraying Christ," Crossroads, vol. 9, no. 3, April - June 1959, p. 5, repr.
Guide, The Toledo Museum of Art, 1959, p. 19, repr.
Spaeth, Eloise, American Art Museums and Galleries, New York, 1960, Harper, p. 133, repr. p. 131.
Discovery, vol. 13, no. 2, January, February, March 1961, repr. p. 28.
Toledo Museum of Art Museum News, New Series, vol. 4, no. 1, Winter 1961, (also published as Details, European Painting), repr. p. 11, (det.).
Emporium, Rivista Mensile D'Arte E Di Cultura, vol. 133, no. 797, March 1961, p. 237, repr. p. 237.
Rogers, Millard F., "La Pintura Española en el Museum de Toledo, (Ohio)," Goya, Numero 49, Julio-Agosto, 1962, p. 25, repr. p. 27.
Grosser, Maurice, Critic's Eye, Indianapolis, Bobbs-Merrill, 1962, p. 169.
Wethey, H.E., El Greco and his School, Princeton, 1962, I, p. 47, fig. 162, II, no. 29 (as ca. 1590-1595).
Van Homrigh, C. M. B., Introduction to Art and Craft, Sydney, 1965, pp. 96-97, repr.
Leamon, J. Thomas, "The Roots of Modern Art - In Universal Human Experience," International Journal of Religious Education, March 1966, vol. 42, no. 7, p. 3, repr.
Barres, Maurice, Greco ou le secret de Toledo, Paris, 1966, repr. p. 109.
Bruner, Louise, "The Toledo Museum of Art," American Artist, vol. 30, no. 4, April, 1966, pp. 33-39, 71, 76, repr. p. 37, (col.).
Forster, Kurt, Mannerist Painting in the 16th Century, New York, 1966, p. 33, repr.
A Guide to the Toledo Museum of Art, Toledo, 1966, repr. (col.).
Toledo Museum News, Summer, 1967, repr. p. 39 (Domenikos Theotocopoulos, called El Greco) also repr. on cover. Millard F. Rogers, "Spanish Art," New Series, vol. 10, no. 2.
Wittmann, Otto, "Director's Choice," Apollo, vol. 86, no. 70, Dec. 1967, p. 509, repr. (col.) pl. XXII.
Mazzariol, Guiseppe, Delle Piramidi a Picasso, Milan, 1967, repr. p. 117.
Van de Bogart, Doris, Introduction to the Humanities, New York, 1968, p. 141, repr. p. 142.
Christensen, Erwin O., A Guide to Art Museums in the United States, New York, 1968, pp. 173-174, repr. no. 363.
Ryan, Michael, "This Museum is for People," The Wonderful World of Ohio, Feb. 1969, vol. 33, no. 2, repr. (col.) p. 31.
Spaeth, Eloise, American Art Museums, New York, 1969, rev. ed. p. 204.
Manzini, G., and T. Frati, L'opera completa del Greco, Milan, 1969, no. 90a, repr.
MacLaren, N., National Gallery Catalogues: The Spanish School, 2nd ed., London, National Gallery, 1970, pp. 37, 38, 39, n. 14.
Gudiol, J., El Greco 1541-1614, Barcelona, 1971, p. 204, no. 169, fig. 186.
Wood, Christopher, 100 Masterpieces in colour, London, 1972, no. 34, repr. (col.).
"One Million Years of Art," Sunday [London] Times Magazine, August 5, 1973, repr. (col.) no. 552.
Greenhill, Eleanor S., Dictionary of Art, New York, 1974, repr. pl. 14.
The Toledo Museum of Art: A Guide to the Collections, Toledo, 1976, repr. p. 38 (col.).
The Toledo Museum of Art, The Toledo Museum of Art, European Paintings, Toledo, 1976, pp. 71-72, pl 53, color pl. IV.
Davies, David, El Greco, Oxford, 1976, pp. 13-14, repr. (col.) fig. 17.
Vyverberg, Henry, The Living Tradition, New York, 1978, p. 144, repr. p. 142, fig. 6-21.
Steinberg, Leo, "Resisting Cézanne: Picasso's Three Women," Art in America, vol. 66, no. 6, Nov.-Dec. 1978, p. 121, repr. p. 123, fig. 14.
Brown, Jonathan, et al., El Greco of Toledo, Boston, Little Brown, 1982, no. 22, p. 237, repr. pl. 41, p. 190.
El Greco Exhibition, Japan 1986-1987, Insho-sha, 1988, no. 19, vol. 1, p. 103, repr., vol. 2, repr. p. 93 (col.) and 94-95 (col.det.).
Vyverberg, Henry, The Living Tradition, New York, Harcourt Brace, 1988, p. 291, fig.11-24, p. 292.
Wright, Susan, The Bible in Art, New York, Todtri Productions, Ltd., 1996, p. 100-101, repr. (col.) p. 101
Catechismo della Chiesa Cattolica: Compendio, Vatican City, Libreria Editrice Vaticana, 2005, repr. (col.) p. 155.
A History of European Art, Lecture by William Kloss, Chantilly, VA, Teaching Company, 2005, DVD.
"Christian Prayer- How We Pray," Compendium of the Catechism, Melbourne, Catholic Education Office, 2008, Link to resource.
Toledo Museum of Art, Toledo Museum of Art Masterworks, Toledo, 2009, pp. 148-49, repr. (col.) and (det.).
Lewis, Richard and Susan I. Lewis, The Power of Art, 2nd ed., Belmont, CA, Thomson Wadsworth, 2009, p. 307, fig. 15-5 (col.).
Marías, Fernando, ed., El Greco of Toledo: Painter of the Visible and the Invisible, Toledo, Spain, Fundación El Greco, 2014, cat. 38, pp. 184, 187, repr. (col.) p. 185.
Fiero, Gloria K., The Humanistic Tradition: Faith, Reason, and Power in the Early Modern World, 7th ed., book 4, New York, McGraw Hill Education, 2015, repr. (col.) p. 46, fig. 20.8.
Fiero, Gloria K., Landmarks in Humanities, 4th ed., New York, McGraw Hill Education, 2015, p. 265, repr. (col.) p. 266, fig. 10.3.
Roglan, Mark A., ed., Spanish Art in America, Madrid, Spain, Ediciones El Viso, 2016, pp. 233-236, repr. (col.) p. 235 (general section on TMA, pp. 233-239).
Long, Rebecca J. ed., El Greco: Ambition & Defiance, New Haven, Yale University Press, 2020, repr. (col.) cat. 29, p. 139.
Exhibition HistoryNew York, Metropolitan Museum of Art, Spanish Paintings from El Greco to Goya, 1928, no. 26.Cambridge, Fogg Art Museum, 1932-1933 (on loan from Arthur Sachs).
Chicago, Art Institute of Chicago, A Century of Progress, Exhibition of Paintings and Sculpture, 1933, no. 167.
New York, Knoedler, El Greco, 1941, no. 4.
Toledo, The Toledo Museum of Art, Spanish Painting, Mar. 16-Apr. 27, 1941.
Omaha, Joslyn Memorial Museum, 1942.
St. Louis, City Art Museum of St. Louis, 40 Masterpieces, 1947 (as "Agony in the Garden").
Toledo, The Toledo Museum of Art, El Greco, 1947.
Chicago, Art Institute of Chicago, Masterpieces of Religious Art, 1947, no. 19.
Amsterdam, Rijksmuseum, Le triomphe du maniérisme européen, 1955, no. 60.
Cleveland, Cleveland Museum of Art, The Venetian Tradition, 1956.
Madrid, Museo del Prado; Washington, National Gallery of Art; Toledo, The Toledo Museum of Art; Dallas, Dallas Museum of Fine Arts, El Greco of Toledo, 1982-1983.
Tokyo, The National Museum of Western Art, 1986.
St. Petersburg, Russia, Hermitage, 1987-88.
Leningrad, Hermitage, El Greco: Agony in the Garden, Nov. 1987-Jan. 1988.
Tokyo, National Museum of Western Art; Nara Prefectural Museum of Art; Nagoya, Aichi Prefectural Art Gallery, El Greco Exhibition, 1986-1987.
London, National Gallery, 2004.
Tournai, Belgium, Musée des Beaux-Arts de Tournai, Le monde est beau. Formes et couleurs de l’harmonie naturelle, March 22 – July 22, 2013.
Toledo, Spain, Museo de Santa Cruz, El Greco of Toledo, Mar. 14–Jun. 14, 2014.
Paris, France, Grand-Palais; Chicago, Illinois, Art Institute of Chicago, El Greco (working title), October 14, 2019-October 19, 2020.
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