Woman in a Black Hat
Woman in a Black Hat
Artist
Pablo Picasso
(Spanish (active France), 1881-1973)
Place of OriginFrance
Date1909
DimensionsPainting: 28 3/4 × 23 3/4 in. (73 × 60.3 cm)
Frame: 39 1/2 × 33 5/8 × 3 in. (100.3 × 85.4 × 7.6 cm)
Frame: 39 1/2 × 33 5/8 × 3 in. (100.3 × 85.4 × 7.6 cm)
Mediumoil on canvas
ClassificationPaintings
Credit LinePurchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey, and with funds from the Florence Scott Libbey Bequest in Memory of her Father, Maurice A. Scott
Object number
1984.15
On View
Toledo Museum of Art (2445 Monroe Street), Gallery, 03
Museum der Gegenwart, vol. 3, no. 2, Berlin, 1932, p. 61.
Boeck, Wilhelm and J. Sabartes, Picasso, New York, 1955, no. 47, repr. p. 461.
Camon Aznar, Jose, Picasso y el cubismo, II*, (Oeuvres de 1906 a 1912), Paris, 1967, no. 178, plate 89.
Russoli, Franco and F. Minervino, L'opera completa di PIcasso Cubista, Milan, 1972, no. 317, repr.
Clay, Jean, De l'Impressionnisme a l'art moderne, Paris, 1975, repr. p. 149 (col.).
Daix, Pierre and J. Rosselet, Picasso, The Cubist Years, 1907-1916, London, 1979, no. 329.
Adamson, Jonathan, "Cubism and the psychogenetic disturbance of vision," Art History, vol. 7, no. 1, March 1984, pp. 125-126.
"Calendar," Burlington, vol. 127, no. 982, Jan. 1985, p. 65, repr.
"La chronique des Arts," Gazette des Beaux-Arts, vol. 105, no. 1394, Mar. 1985.
Goff, Richard D. Survey of Western Civilization: the French Revolution to the Present, vol. C, St. Paul, MN, West Publishing, 1987, repr. (col.) p. 737, cover.
The Toledo Museum of Art, Toledo Treasures, Toledo, 1995, p. 155, repr. (col.).
Taylor, Bradley L., "The effect of surrogation on view response to expressional qualities in works of art," unpublished Ph.D. dissertation, University of Michigan, 2001, p. MI, p. 182.
Biedermann, Heike, Von Monet bis Mondrian: Meisterwerke der Moderne aus Dresner Privatsammlungen der ersten Halfte des 20. Jarhunderts, Munich, Deutscher Kunstverlag, 2006, no. 43, p. 72, abb. 30, repr. p. 177 (col.).
The Other Collection: Homage to Ernst and Hildy Beyeler, Basel/Riehen, Roundation Beyeler, 2007, pp. 77, 111, 118 (footnote 51), 281, repr. (col.) p. 77.
Toledo Museum of Art, Toledo Museum of Art Masterworks, Toledo, 2009, p. 299, repr. (col.).
Benson, Timothy O., Expressionism in Germany and France: From Van Gogh to Kandinsky, Munich, DelMonico Books, 2014, pp. 263-264, 268, repr. (col.) p. 264.
Exhibition HistoryBerlin, Secessions Austellungshaus, XXII, Ausstellung der Berliner Secession, 1912, no. 199.
Munich, Haus der Kunst, Picasso 1900-1955, 1955, no. 25, repr.
Kassel, Documenta I, 1955, cat. plate 35.
Minneapolis Institute of Arts, Picasso-Braque-Leger, Masterpieces from Swiss Collections, 1975, no. 6.
Basel, Galerie Beyeler, Picasso, A Centennial Selection, 1981, no. 8.
Vienna, Rathaus, Picasso in Wein, 1981, no. 13.
London, Tate Gallery, The Essential Cubism: Braque, Picasso and their Friends 1907-1920, 1983, no. 120.
Dresden, Staatliche Kunstsammlungen, Von Monet bis Mondrian: Meisterwerke der Moderne aus Dresner Privatsammlungen der ersten Halfte des 20. Jarhunderts, Sept. 16, 2006-Jan. 14, 2007, no. 43.
Basel/Riehen, Roundation Beyeler, The Other Collection, Aug. 19, 2007-Jan. 6, 2008.
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