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Narasimha

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Narasimha

Place of OriginIndia (Orissa)
Dateabout 1200
Dimensions36 1/4 × 20 × 11 1/2 in. (92.1 × 50.8 × 29.2 cm)
Mediumsandstone
ClassificationSculpture
Credit LinePurchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey
Object number
1987.176
On View
Toledo Museum of Art (2445 Monroe Street), Gallery, 35
Label TextHindu savior god Vishnu assumed the form of Narasimha ("man-lion") to defeat demon king Hiranyakashipu. The evil king had gotten the chief of the Hindu gods, Brahma, to promise that he could not be killed at the hands of men, beasts, gods, or demons; nor could he die inside or outside, nor during day or night. Vishnu-as-Narasimha (who was neither wholly man, beast, nor god) burst out of the porch pillar of the king’s palace (which was neither inside nor outside) and killed Hiranyakashipu at dusk (which is neither day nor night). Here we see Narasimha after the heroic deed, sitting in a meditative pose aided by a band, which holds his knees in position. He has a diminutive consort perched on his lap and holds Vishnu's symbols, the conch shell and wheel, in his raised hands. He is seated on a lotus blossom, symbol of creation, cosmic renewal, and purity and is heralded above by two sets of mithuna (celestial couples) and hovering apsaras (divine beauties). The form of the sculpture and its pierced openings indicate that it was once part of the façade of a medieval temple in Orissa (now Odisha), northeast India.Published References"Art of Asia acquired by North American museums, " 1988, Archives of Asian Art, vol. 42, 1982, repr. p. 104.

Cole, Elizabeth, "Narasimha: Hindu images of belief," School Arts, vol.90, No.6, Feb.1991, pp.31-34, repr. (col.)

Toledo Museum of Art, Toledo Museum of Art Masterworks, Toledo, 2009, p. 30, repr. (col.)

Reich, Paula, Toledo Museum of Art: Map and Guide, London, Scala, 2009, p. 13, repr. (col.)

Cummins, Joan, ed., Vishnu: Hinduism's Blue-Skinned Savior, Nashville, Frist Center for the Visual Arts, 2011, no. 65, pp. 148, 149, repr. (col.).

Exhibition HistoryNashville, Frist Center for the Visual Arts; New York, Brooklyn Museum, Vishnu: Hinduism's Blue Skinned Savior, June 2010-May 2011, no. 65, p. 149, repr. (col.) p.148Comparative ReferencesSee also Donaldson, T.E. Hindu Temple of Orissa III, 1987, pp. 1124-1125, pp. 1367-1369, figs. 3758-3765, in Studies in South Asian Culture XII.
Balustrade Ornament
Classic Khmer Period (802 -1431), 1100-1200
Torso of a Female Deity
Classic Khmer Period (802-1300), 1080- 1125
Torso of a Bodhisattva
Gupta Period (320-647), about 600
Jali (Screen)
early 17th century
Stupa railing fragment
Shunga Dynasty (185-75 BCE)
Saint Helena, Empress
Desiderio da Settignano
about 1460-1464
Temple Relief with Ptolemy III Euergetes
Ptolemaic Dynasty, 246-222 BCE
Relief with Horus as Falcon
Late Period, Dynasty 21, 1085-332 BCE or Ptolemaic Dynasty, 305-30 BCE
Head of Charlie Parker
Julie Macdonald
about 1955

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