See also F. H. Marshall, Catalogue of the Jewellery, Greek, Etruscan, and Roman, in the Departments of Antiquities, British Museum (London: The British Museum, 1911) 311, cat. no. 2697, pl. LVII (gold necklace of 15 cylinders decorated with large granulation, filigree leaves and rosettes, and set with both round and pear-shaped garnets), dated first century CE based on comparison with a necklace of similar type from Pompeii.

See also Etienne Coche de la Ferté, Les Bijoux Antiques (Paris: Presses Universitaires de France, 1956) pair of triangular earrings made of sheet gold with blue and red glass and pseudo-granulation (Louvre BJ 433-4, H 7 cm), from Kerch, formerly Messeksoudy Collection, pp. 90,95, pl. XLIII.3.

See also R. A. Higgins, Greek and Roman Jewellery (London: Methuen and Co Ltd, 1st ed., 1961) p. 183, ill. Pl. 62C, colorpl. D facing p. 184: Roman hair ornament (inv. GR 1903.7-17.3 = Marshall cat. no. 1866, pl. LXVI, "composed of a row of oval and rectangular bezel-settings, some filled with plasma [plasma is a bright to emerald-green chalcedony; these are emeralds per Tait 1986], some now empty, surrounded by a row of pearls in bezel-settings. Below hangs a horizontal rod, from which are suspended three vertical rods, threaded two with pearls and one with a sapphire," found at Tunis with a gold-mounted sardonyx cameo brooch of the birth of Dionysos (=Marshall cat. no. 2867) and a bracelet (= Marshall cat. no. 2824, dated 3rd cen. CE), "closely paralleled on Palmyrene statues of the second and third centuries." Note that the bracelet's openwork band is a row of ivy leaves made using the opus interrasile (aka diatrita) technique that became commonly used during the second century CE.

See also Barbara Deppert-Lippitz, Ancient Gold Jewelry at the Dallas Museum of Art (Dallas, TX: Dallas Museum of Art in association with the University of Washington Press, 1996) cat. nos. 101 (DMA 1995.26, necklace with garnet cabochons) and 102 (DMA 1996.???, pair of earrings with suspended garnets and pearls = Higgins 1980 pl. 54b), both 2nd-early 3rd century CE. The necklace is said to come from Nabataea.

See also Anna Gonosovà and Christine Kondoleon, Art of Late Rome and Byzantium in the Virginia Museum of Fine Arts (Richmond, VA: Virginia Museum of Fine Arts, 1996), cat. no. 19 (VMFA 82.65.1/2, pair of disc, bar, and pendant earrings with garnets and cornelian), "probably made after the mid third century when this earring type received its most interpretations," here with openwork disc and crossbar.

See also Objects of Adornment: Five Thousand Years of Jewelry from the Walters Art Gallery, Baltimore (Baltimore, MD: Walters Art Gallery and the American Federation of Arts, 1984) cat. nos. 54 and 55 (WAM 57.376 and 57.382, pair of gold bracelets with garnet, glass, and pearl insets, and pair of earrings from the Olbia Treasure, dated first century BCE) and cat. no. 58 (WAM 57.1552, gold hoop, disk, and pendant earring with garnets and pearls, dated second century CE)