The Death of Bali

Artist Kangra School

Dynasty Mughal Dynasty India, 1526 - 1858

Place of OriginIndia (Punjab Hills)

Dateabout 1780-1800

Dimensions9 x 12 3/4 in. (22.9 x 32.4 cm)

Mediumopaque watercolor and gold

ClassificationDrawings

Credit LinePurchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey

Object number

2007.102

Not on View

Collections

Works on Paper

Published ReferencesGalloway, Francesca, Treasures from India, London 2006.

Toledo Museum of Art, Toledo Museum of Art Masterworks, Toledo, 2009, p. 33, repr. (col.).

Exhibition HistoryNew York, Pierpont Morgan Library, The Classical Tradition in Rajput Painting from the Paul F. Walter Collection, New York, 1978, no. 78.

Toledo, Toledo Museum of Art, Monkey Business, July 2 - August 30, 2009 (no cat.).

Toledo, Toledo Museum of Art, Looks Good on Paper: Masterworks and Favorites, Oct. 10, 2014-Jan. 11, 2015.

Toledo, Toledo Museum of Art, Earthly Beauty, May 29-Sept. 6, 2015.

Label TextAn emotional scene of grief and pathos, The Death of Bali depicts an incident from the Ramayana, one of the great epics of Indian literature. The painting originally adorned a manuscript of a volume of the story. In search of his kidnapped love Sita, the hero Rama has befriended the king of the monkeys, Sugriva, whose throne has been taken by his evil brother Bali. Rama promises to help Sugriva regain his throne if he and his followers will help search for Sita. Sugriva agrees and then challenges Bali. Just as Sugriva seems to be losing the battle, Rama intervenes, mortally wounding Bali with an arrow. The painting depicts the moment when Bali, close to death, admonishes Rama for shooting him. Rama, dressed in a leafy skirt and accompanied by his brother Laksmana, is unrepentant, declaring that Bali deserves to die for usurping Sugriva's throne. While Bali's courtiers grieve openly or huddle together in stunned confusion, Sugriva has taken back his golden chain of office and sits to the far left, grimly observing the scene. Bali's wife Tara, who has taken human form, tenderly pillows his head in her lap. Overcome, Angada, Bali's son, embraces his bleeding father. A great cave with the golden palace of the monkey king can be seen in the background. The landscape depicted is not that of the dry, rocky area of Kiskindha where the story takes place, but rather the lush landscape of the region of Kangra in northern India, where this painting was made. The series to which this painting belongs dates from the reign of Raja Sansar Chand (1775-1823), when the full lyrical naturalism of Kangra painting was realized.