Vase, Bottle, Bowl - Clear Outlines, from Contained Abstraction series
Vase, Bottle, Bowl - Clear Outlines, from Contained Abstraction series
Artist
Jane Bruce
(British, b. 1947)
Date2008
DimensionsA : H: 12 1/2 in. (31.75 cm); W: 5 1/2 in. (13.9 cm); Depth: 1 5/8 in. (4.1 cm).
B : H: 11 3/4 in. (29.8 cm); W: 8 in. (20.32 cm); Depth: 1 11/16 in. (4.3 cm).
C : H: 5 1/2 in. (13.9 cm); W: 11 1/8 in. (28.3 cm); Depth: 1 11/16 in. (4.3 cm).
B : H: 11 3/4 in. (29.8 cm); W: 8 in. (20.32 cm); Depth: 1 11/16 in. (4.3 cm).
C : H: 5 1/2 in. (13.9 cm); W: 11 1/8 in. (28.3 cm); Depth: 1 11/16 in. (4.3 cm).
MediumKiln-formed, cold-worked, and painted glass
ClassificationGlass
Credit LinePurchased with funds given by Georgia E. Welles
Object number
2012.17A-C
Not on View
DescriptionThe work consists of three associated sets of abstract, three-dimensional, solid forms in kiln-cast glass. Vase (A), Bottle (B), Bowl (C)– Outlines consists of three flat panels in angular outlines of a bottle, vase, and bowl, all kiln-cast of transparent colorless glass with opaque black walls. “Bottle’s” thick edge is coated with translucent blue glass, “Vase” has a yellow, and “Bowl” a red edge. In the second set, the vessel outlines appear in colorless glass, edged in the same color sequence, in a solid rectangle with black wall as transparent silhouettes. The third set consists of the same vessel shapes as the previous ones, except that their edge is outlined with transparent enamel.
The work consists of three associated sets of abstract, three-dimensional, solid forms in kiln-cast glass. Vase, Bottle, Bowl – Outlines consists of three flat panels in angular outlines of a bottle, vase, and bowl, all kiln-cast of transparent colorless glass with opaque black walls. “Bottle’s” thick edge is coated with translucent blue glass, “Vase” has a yellow, and “Bowl” a red edge. In the second set, the vessel outlines appear in colorless glass, edged in the same color sequence, in a solid rectangle with black wall as transparent silhouettes. The third set consists of the same vessel shapes as the previous ones, except that their edge is outlined with transparent enamel.
Published ReferencesPage, Jutta-Annette, Peter Morrin and Robert Bell, Color Ignited: Glass 1962-2012, Toledo, Toledo Museum of Art, 2012, repr. (col.) p. 198, pl. 101
"Recent Important Acquisitions", New Glass Review, 34, 2013, repr. (col.) p. 104.
Exhibition HistoryToledo Museum of Art, Color Ignited: Glass 1962-2012, June 14-September 9, 2012.Comparative ReferencesSee also Bruce, Jane, Glassblowing: A Manual of Basic Techniques, London, Crafts Council, 1979.Early to Late 15th century
Second quarter to mid-first century CE
Probably second quarter to mid-first century
Sixth to early seventh century
René Jules Lalique
about 1920
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