Painter before his easel: to the left, a model in costume from: The Unknown Masterpiece

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Painter before his easel: to the left, a model in costume from: The Unknown Masterpiece

Artist Pablo Picasso Spanish (active France), 1881-1973

Publisher Ambroise Vollard, Paris, 1931

Printer text: Aimé Jourde, Paris; etchings: Louis Fort, [Paris]

Author Honoré de Balzac French, 1799-1850

Date1927

Dimensionsbook: 13 x 10 1/4 x 1 1/2 in. (330 x 260 x 38mm)
page: 7 5/8 x 10 7/8 in. (194 x 276mm)

MediumEtching

ClassificationBooks

Credit LineMrs. George W. Stevens Fund

Object number

1984.24H

Not on View

Published Referencescf. Castleman, Riva, A century of artists books, New York, 1994, p. 28. cf. Garvey, Eleanor M., The Artist & the Book, 1860--1960, Boston, 1961, no. 225., 1961. cf. Strachan, W. J., The artist and the book in France; The 20th century livre d'artiste, New York, 1969, p. 339, repr. cf. Johnson, Una E., Ambroise Vollard, éditeur: Prints, Books, Bronzes, New York, 1977, no. 191 cf. Wheeler, Monroe, Modern Painters and Sculptors as Illustrators, New York, 1946, p. 109 cf. Hogben, Carol, Rowan Watson, editors, From Manet to Hockney: Modern Artists’ Illustrated Books, London, 1985, no. 92, reprs. cf. The Frank Crowninshield Collection of Modern French Illustrated Books, New York: Parke-Bernet Galleries, 1943, no. 604, 604a cf. Johnson, Robert Flynn, Artists' Books in the Modern Era 1870--2000: The Reva and David Logan Collection of Illustrated Books, San Francisco, 2001, no. 54Exhibition HistoryToledo Museum of Art, in conjunction with the Norton Simon Museum, Picasso: Graphic Magician, November 7, 1999 - January 16, 2000. (Page shown: Title page).Label TextBalzac's story tells of an artist who labors on a painting for years. Torn between the ecstasies of creation and the quest for perfection, the artist reworks the portrait again and again, but when he finally shows it to friends, all they see is a confused mass of colors. The artist, in despair, burns his canvasses and dies. Picasso's 12 etchings explore the underlying theme of the novel: the artist's relationship to his model, who, in turn, inspires his work. The book is "introduced by 16 pages reproducing Picasso's dot and line drawings.