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Migrating Pedmarks

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Migrating Pedmarks

Artist Lynda Benglis (American, born 1941)
Datedesigned 1998, cast 2008
Dimensions86 × 108 × 96 in. (218.4 × 274.3 × 243.8 cm)
Mediumcast bronze with patina
ClassificationSculpture
Credit LineGift of The Georgia Welles Apollo Society in honor of Georgia and David K. Welles
Object number
2008.108
On View
Toledo Museum of Art (2445 Monroe Street), Sculpture Garden
Label TextLynda Benglis is deeply concerned with the physicality of form and how it affects the viewer. Though essentially abstract, her sculptures simultaneously suggest images of contemplation and of physical power. Since the 1960s Benglis has created a diverse body of work in many mediums, often pushing traditional materials in new and unusual ways. For Migrating Pedmarks she started with equal-sized rectangles of clay, which she then twisted, pierced, and marked in a variety of ways. She next assembled the separate pieces together into one form. The mark of the artist’s hand is literally embedded in the clay through her fingerprints (what she calls “pedmarks”). These potentially fleeting gestures were made permanent when the clay shape was cast in bronze.Published ReferencesToledo Museum of Art, Toledo Museum of Art Masterworks, Toledo, 2009, p. 356, repr. (col.).Exhibition HistoryToledo, Toledo Museum of Art, Inspired Giving: The Apollo Society 25th Anniversary Exhibition, October 15, 2010-February 13, 2011, p. 39, repr. (col.) p. 39.
Untitled (Divisions)
Daniel Clayman
1997
Seated Nude
Kiki Smith
2005
Female figure
16th century (?)
Bearing Figure with Amphora
Howard Ben Tré
1995-1997
Cherie
Robert Graham
1980
Bather III
Jacques Lipchitz
1917
Sculpture No. 4
Mel Kendrick
1991 (design), 1994 (cast)
Gorilla
Daisy Youngblood
1996
Figuras
Marisol (Escobar)
1959
Bench for Claude Monod I
Howard Ben Tré
1992

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