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Odalisca

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Odalisca

Place of OriginItaly
Datepossibly 19th century
DimensionsOverall (with base H x W x D): 26 1/2 × 17 × 8 3/4 in. (67.3 × 43.2 × 22.2 cm)
Mediummarble
ClassificationSculpture
Credit LineGift of Harry W. Cummings
Object number
1916.63
On View
Toledo Museum of Art (2445 Monroe Street), Gallery, 32
Label Text“Less is more”—the unknown artist of this marble bust of a woman coyly renders the flesh of the figure in the merest of passages, one shoulder and the upper section of one of her breasts. In pronounced contrast, her face is represented as completely veiled. Since at least the mid-18th century, Italian sculptors have demonstrated their skills in this manner, the conceit being that the sculptor is denying the permanence of the hard stone, thereby suggesting the transitory and the life-like. An odalisque, or odalisca, was the West’s romantic, exotic conception of a woman in a Turkish harem.
Count Artur Potocki
Bertel Thorvaldsen
modeled 1829, executed 1830-1833
Bronze Head of a Black Woman
Constantin Brancusi
1926
Aphrodite
Gaston Lachaise
1924
George IV
Francis Legatt Chantrey
1822
Vase with Bacchic Heads
Benedetto Boschetti
about 1750-1800
Baltasar Suares
Attributed to Giovanni Battista Caccini
about 1590-1599
Maria Martelli, Wife of Baltasar Suares
Attributed to Giovanni Battista Caccini
about 1590-1599
Niobid
Auguste Rodin
about 1900

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