San Giorgio Maggiore, Venice
San Giorgio Maggiore, Venice
Artist
Francesco Guardi
(Italian, 1712-1793)
Place of OriginItaly
Dateabout 1790
DimensionsH: 18 1/4 in. (46.5 cm); W: 30 1/16 in. (76.3 cm)
MediumOil on canvas
ClassificationPaintings
Credit LinePurchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey
Object number
1952.62
On View
Toledo Museum of Art Glass Pavilion (2444 Monroe Street), Glass Pavilion Gallery, 4
Godwin, Molly Ohl, "Capolavori Italiani al 'Toledo Museum of Art'," Le Vie Del Mondo, vol. 14, 1952, p. 1156, repr. p. 1155.
Morassi, Antonio, "Una mostra del settecento Veneziano a Detroit," Arte Veneta, VII, 1953, p. 61, repr. (as ca. 1770-80).
"Details, European Paintings," Toledo Museum of Art Museum News, new series, vol. 4, no. 1, Winter 1961, repr. p. 9 (detail).
Riefstahl, R.M., "What is Conservation?," Toledo Museum of Art Museum News, VIII, Autumn, 1965, p. 66, repr.
Fiocco, G., Guardi, Milan, 1965, pp. 24, 26, pl. XIII (as Francesco).
Pallucchini, R. "Note alla mostra dei Guardi," Arte Veneta, XIX, 1965, p. 216 (as Gianantonio with intervention of Francesco).
Hannegan, B., "Guardi at Venice," Art Bulletin, XLVIII, June 1966, p. 252 (as Guardiesque).
Toledo Museum of Art, A Guide to the Toledo Museum of Art, Toledo, 1966, repr.
Toledo Museum of Art, A Guide to the Collections, Toledo, 1966, repr. p. 47 (col.).
Morassi, A., "Altre novità e precisazioni su Antonio e Francesco Guardi," Atti dell'Accademia di Udine, VIII, 1966/69, p. 287 (as Gianantonio).
Pignatti, Terisio, "The Centemporaneity of the Eighteenth-Century Venetian 'Vedutusti'," Art International, vol. xi, no. 10, Christmas, 1967, p. 25, repr. (b&w).
Milliken, WIlliam M., Unfamiliar Venice, Cleveland, 1967, repr. p. 70.
Watson, F.J.B., "Eighteenth-Century Painting and Decorative Arts," Apollo, vol. 86, no. 70, Dec. 1967, p. 465, repr. (b&w) fig. 24.
Ferroni, Ugo, "Los 'Vedutisti' Venecianos del setecientos," Goya, no. 80, Sept.- Oct. 1967, p. 74, repr. (b&w) p. 69.
Mahon, D., "The Brothers at the Mostra dei Guardi: Some Impressions of a Neophyte," in Problemi Guardeschi, Venice, 1967, pp. 81-82, pl. 5 (det.) (as Francesco).
Ferroni, Ugo, "Los 'Vedutisti' Venecianos del setecientos," Goya, No. 80, Sept.-Oct. 1967, p. 74, repr. p. 69.
Briganti, Giuliano, I Vedutisti, Milano, Bompiani/Electa, 1968 (?), repr. (col.), tav. 78.
Wallace Collection Catalogues: Pictures and Drawings, 16th ed., London, 1968, p. 140.
Pignatti, Terisio, Francesco Guardi, Brescia, 1971, p. 29, repr.
Fredericksen, Burton B., and Federico Zeri, Census of Pre-Nineteenth Century Italian Paintings in North American Collections, Cambridge (Mass.), 1972, pp. 97, 98, 351, 641 (as Gianantonio).
Morassi, Antonio, Guardi: Antonia e Francesco Guardi, Venice, 1973, I, pp. 242, 391, no. 428, II, fig. 447.
Rossi Bortolatto, Luigina, L'opera completa di Francesco Guardi, Milan, 1974, p. 104, no. 245, repr. p. 103.
The Toledo Museum of Art: European Paintings, Toledo, Toledo Museum of Art, 1976, p. 73, pl. 36 p. 198.
Brion, Marcel, Guardi, Paris, 1976, repr. (col.), p. 43.
Morse, John D., Old Master Paintings in North America, New York, 1979, p. 160.
Mitchell, Paul, "Italian Picture Frames 1500-1825: A Brief History," Furniture History, vol. 20, 1984, p. 25, pl. 29 D. (Frame of picture only).
Koch-Hillebrecht, Manfred, Museen in den USA: Gemalde, Munich, 1992, p. 232.
Pedrocco, Filippo, Antonio Guardi, Milan, 1992, p. 149, repr. p. 311.
George, Hardy, La Serenissima : eighteenth-century Venetian art from North American collections, Oklahoma City, Oklahoma City Museum of Art, 2010, pp. 138, 139, repr. (col.).
Exhibition HistoryThe Hague, Gemeentemuseum, Oude Kunst uit Haagsch Bezit, 1936, no. 89.Rotterdam, Museum Boymans, Meesterwerken uit Vier Eeuwen, 1400-1800, 1938, no. 187, repr. p. 121.
Detroit Instutite of Arts, Venice 1700-1800, 1952, no. 30, repr. p. 34.
Indianapolis Museum of Art, Indianapolis, Indiana. 1952.
Venice, Palazzo Ducale, I vedutisti Veneziani del settecento, 1967, no. 145, repr.
Direzione Belle Arti, Venezia, Italy.1967.
Minneapolis Institute of Arts, Minneapolis, Minn. 1969
Art Institute of Chicago, Painting in Italy in the Eighteenth Century: Rococo to Romanticism, 1970, no. 24, repr.
Oklahoma City Museum of Art, La Serenissima: Eighteenth-Century Venetian Art from North American Collections, September 9, 2010 - January 2, 2011, no. 44, p. 139, repr. (col.) p. 138.
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