Basket of Fruit
Basket of Fruit
Artist
Pierre Boucle
(Flemish, ca.1610-1673)
Place of OriginFlanders
Date1649
DimensionsH: 20 in. (50.8 cm); W: 24 1/2 in. (62.2 cm)
MediumOil on canvas.
ClassificationPaintings
Credit LinePurchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey
Object number
1961.28
Not on View
Toledo Museum of Art Museum News, "New Accessions," vol. 5, no. 3, Autumn 1962, p. 62, repr.
"Accessions of American and Canadian Museums, July-September, 1962," The Art Quarterly, vol. XXV, no. 4, Winter 1962, p. 407, p. 399.
"La Chronique des Arts," Supplement a La "Gazette des Beaux-Arts," no. 1129, Paris, Février, 1963, p. 67.
Faré, M., Le grand siècle de la nature morte en France, le XVIIe siècle, Fribourg, 1974, repr. p. 98.
Foucart, J., "Un peintre flamand à Paris: Pieter van Boucle," in Études d'art français offertes à Charles Sterling, (ed. A. Chatelet and N. Reynaud), Paris, 1975, pp. 238, 248, 251-252, no. 39, 255.
Toledo Museum of Art, The Toledo Museum of Art, European Paintings, Toledo, 1976, p. 28, pl 185.
Foucart, J., Le Siècle de Rubens, Paris, 1977, p. 45 (not in exhibition).
DeMaere, J. and M. Wabbes, Illustrated dictionary of 17th century Flemish painters, Brussels, 1994, repr. vol. 2, p. 142.
Rosenberg, Pierre, La peinture française, Paris, Mengés, 2001, v. 1, p. 307.
Coatalem, Eric, La nature morte francaise au xvii siecle = 17th-century Still-Life Painting in France, Dijon, editions Faton, 2014, repr. (col. det.) p. 102.
Exhibition HistoryParis, Musée des Arts Décoratifs, Louis XIV, faste et décors, 1960, pl. 510.Paris, Galeries nationales du Grand Palais; New York, Metropolitan Museum of Art; Chicago Art Institute, France in the Golden Age: Seventeenth-Century French Paintings in American Collections, 1982, no. 6, pp. 225-226, 346, repr. pp. 206, 226.
Paris, Galeries nationales du Grand Palais; New York, Metropolitan Museum of Art; Chicago Art Institute, France in the Golden Age: Seventeenth-Century French Paintings in American Collections, 1982. References same as above.
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