Ophelia ("And He Will Not Come Back Again")
Ophelia ("And He Will Not Come Back Again")
Artist
Arthur Hughes
(British, 1832-1915)
Place of OriginEngland
Dateabout 1865
DimensionsPainting: 37 1/4 × 23 1/8 in. (94.6 × 58.7 cm)
Frame: 46 1/4 × 33 × 1 1/4 in. (117.5 × 83.8 × 3.2 cm)
Frame: 46 1/4 × 33 × 1 1/4 in. (117.5 × 83.8 × 3.2 cm)
MediumOil on canvas
ClassificationPaintings
Credit LinePurchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey
Object number
1952.87
On View
Toledo Museum of Art (2445 Monroe Street), Gallery, 32
Bennett, M., "A Check List of Pre-Raphaelite Pictures Exhibited at Liverpool 1846-1867 and some of their Northern Collectors,: Burlington Magazine, CV, Nov. 1963, p. 495, n. 67.
Apollo, vol. 79, no. 28, June 1964, p. 513.
Preston, Stuart, "Pre-Raphaelites in New York," Apollo, vol. 79, no. 28, June 1964, p. 513.
A Guide to the Toledo Museum of Art, Toledo, 1966, repr.
Toledo Museum of Art, A Guide to the Collections, Toledo, 1966, repr.
Detroit Institute of Arts, Romantic Art in Britain: Paintings and Drawings 1760-1860, 1968, p. 33.
Toledo Museum of Art, Toledo Museum of Art, European Paintings, Toledo, 1976, pg. 82, pl. 334.
Poulson, Christine, "A Checklist of Pre-Raphaelite Illustrations of Shakespeare's Plays," Burlington vol. 122, no. 925, April 1980, p. 249.
Roberts, Leonard and Mary Virginia Evans, " 'Sweets to the Sweet': Arthur Hughes's Versions of Ophelia," Journal of Pre-Raphaelite and Aesthetic Studies, vol. I, no. 2, Fall 1988, pp. 27-36, fig. 6 and frontispiece (col.).
Sullivan, K.E., Pre-Raphaelites: Romantic, Passionate and Visionary, New York, 1996, p. 32, repr. p. 33 (col.).
Roberts, Leonard, Arthur Hughes: His Life and Works, Woodbridge, 1997, no. 67, pp. 163-164, pl. 48 (col.) p. 84.
Reich, Paula, Toledo Museum of Art: Map and Guide, London, Scala, 2005, p. 36, repr. (col.) and (det.).
Rhodes, Kimberly, Ophelia and Victorian Visual Culture: Representing Body Politics in the Nineteenth Century, Aldershot, Ashgate, 2008, pp. 109, 111, 123, nos. 71, 125, no. 83, fig. 3.9, p. 110.
Reich, Paula, Toledo Museum of Art: Map and Guide, London, Scala, 2009, p. 36, repr. (col.) and (det.).
Torpy, Janet, M.D., ed., Journal of the American Medical Association, 2011, p. 803, repr. (col.), cover and p. 803.
Exhibition HistoryLiverpool Academy, 1867, no. 95.Liverpool, Walker Art Gallery, Grand Loan Exhibition of Pictures, 1886, no. 1176.
Lawrence, University of Kansas Museum of Art, Dante Gabriel Rossetti and his Circle, 1958.
Indianapolis, Herron Museum of Art, The Pre-Raphaelites, 1964, no. 41, repr.
Gallery of Modern Art, New York, N.Y. 1964.
Ottawa, National Gallery of Canada, An Exhibition of Paintings and Drawings by Victorian Artists in England, 1965, no. 58.
Ann Arbor, University of Michigan Museum of Art, English Revivalism 1750-1870: The Aesthetic of Nostalgia, 1968, repr.
Wilmington, Delaware Art Museum, The Pre-Raphaelite Era 1848-1914, 1976, p. 53, nos. 3-9, repr. p. 52.
Oklahoma City Museum of Art, Artist as Narrator: Nineteenth Century Narrative Art in England and France, 2005, no. 46, p. 23, repr. p. 25 (col.).
Toledo Museum of Art, Shakespeare's Characters: Playing the Part, September 2, 2016-January 8, 2017.
Minshull & Hughes
about 1860s; possibly 1868
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