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Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otra armas. (The people hamstring the bull with lances and other arms) (From "Tauromachios" - No. 12)

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Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otra armas. (The people hamstring the bull with lances and other arms) (From "Tauromachios" - No. 12)
Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otra armas. (The people hamstring the bull with lances and other arms) (From "Tauromachios" - No. 12)

Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otra armas. (The people hamstring the bull with lances and other arms) (From "Tauromachios" - No. 12)

Artist Francisco de Goya (Spanish, 1746-1828)
Date1815
Dimensions9 3/4 x 13 3/4 in.
MediumEtching
ClassificationPrints
Object number
1930.82M
Not on View
Published ReferencesDelteil, Vol. II, 235, III/V.Exhibition HistoryTMA 50 Prints by Francesco Goya: Sept. 19 - Oct.15,1981
Los Moros establecidos en Espana, prescindiendo de las superticiones de su Alcoran..... (The Moors in Spain fight the bulls with lances, giving up the Koran’s superstitions.) (From "Tauromachios" - No. 3)
Los Moros establecidos en Espana, prescindiendo de las superticiones de su Alcoran..... (The Moors in Spain fight the bulls with lances, giving up the Koran’s superstitions.) (From "Tauromachios" - No. 3)
Francisco de Goya
1815
El famoso Martincho poniendo banderillas al quiebro. (The famous Martincho placing banderillas as he turns) (From "Tauromachios" - No. 15)
El famoso Martincho poniendo banderillas al quiebro. (The famous Martincho placing banderillas as he turns) (From "Tauromachios" - No. 15)
Francisco de Goya
1815
Origen de los arpones o banderillas. (Origin of the baderillos.) (From "Tauromachios" - No. 7)
Origen de los arpones o banderillas. (Origin of the baderillos.) (From "Tauromachios" - No. 7)
Francisco de Goya
1815
Banderillas de fuego. (Darts with fireworks) (From "Tauromachios" - No. 31)
Banderillas de fuego. (Darts with fireworks) (From "Tauromachios" - No. 31)
Francisco de Goya
1815
Modo con que los antiguos espanoles cazaban los toros a ballo en el campo. (The way ancient Spaniards baited the bull in the open) (From "Tauromachios" - No. 1)
Modo con que los antiguos espanoles cazaban los toros a ballo en el campo. (The way ancient Spaniards baited the bull in the open) (From "Tauromachios" - No. 1)
Francisco de Goya
1815
Los moros hacen otro capeo en plaza con su albornoz. (The Moors cape the bulls with their look.) (From "Tauromachios" - No. 6)
Los moros hacen otro capeo en plaza con su albornoz. (The Moors cape the bulls with their look.) (From "Tauromachios" - No. 6)
Francisco de Goya
1815
Palenque de los moros hecho con burros para defenderse del toro embolado. (Protection the Moors make to defend themselves from the bull with "ballad" hours) (From "Tauromachios" - No. 17)
Palenque de los moros hecho con burros para defenderse del toro embolado. (Protection the Moors make to defend themselves from the bull with "ballad" hours) (From "Tauromachios" - No. 17)
Francisco de Goya
1815
El célebre Fernando del Toro, varilarguero, obligando a la fiera con su garrocha. (The famous Fernando del Toro stirring the bull with his pike) (From "Tauromachios" - No. 27)
El célebre Fernando del Toro, varilarguero, obligando a la fiera con su garrocha. (The famous Fernando del Toro stirring the bull with his pike) (From "Tauromachios" - No. 27)
Francisco de Goya
1815
Un Caballero espanol en plaza que brando rejoncillos sin auxilio de los chulos. (A Spaniard breaks lance without aid of his companions) (From "Tauromachios" - No. 13)
Un Caballero espanol en plaza que brando rejoncillos sin auxilio de los chulos. (A Spaniard breaks lance without aid of his companions) (From "Tauromachios" - No. 13)
Francisco de Goya
1815
Otra locura suya en la misma plaza. (Another mad deed of his in the same plaza ) (From "Tauromachios" - No. 19)
Otra locura suya en la misma plaza. (Another mad deed of his in the same plaza ) (From "Tauromachios" - No. 19)
Francisco de Goya
1815
Curarlos, y á otra (Look after them, and then turn to the others) (Disasters of War, no. 20)
Curarlos, y á otra (Look after them, and then turn to the others) (Disasters of War, no. 20)
Francisco de Goya
1810 (published 1892)
Capean otro encerrado. (They challenge the bull with their cape.) (From "Tauromachios" - No. 4)
Capean otro encerrado. (They challenge the bull with their cape.) (From "Tauromachios" - No. 4)
Francisco de Goya
1815

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