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Title Page (From "Tauromachios" - The Art of the Bullfight)

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Title Page (From "Tauromachios" - The Art of the Bullfight)
Title Page (From "Tauromachios" - The Art of the Bullfight)

Title Page (From "Tauromachios" - The Art of the Bullfight)

Artist Francisco de Goya Spanish, 1746-1828
Date1815
Dimensions8 5/8 x 12 1/4 in.
MediumEtching
ClassificationPrints
Object number
1930.82A
Not on View
Published ReferencesDelteil, Vol. II.Exhibition History- TMA The Painter Was a Printmaker: June 23 - Sept. 9, 1984 April 5, 1982 TMA 50 Prints by Francesco Goya: Sept. 19 - Oct.15,1981
"Tauromachios" - The Art of the Bullfight
"Tauromachios" - The Art of the Bullfight
Francisco de Goya
1815
Palenque de los moros hecho con burros para defenderse del toro embolado. (Protection the Moors make to defend themselves from the bull with "ballad" hours) (From "Tauromachios" - No. 17)
Palenque de los moros hecho con burros para defenderse del toro embolado. (Protection the Moors make to defend themselves from the bull with "ballad" hours) (From "Tauromachios" - No. 17)
Francisco de Goya
1815
Mariano Ceballos, alias el Indio, mata el toro desde su caballo. (Mariano Ceballos, called the Indian, kills the bull from his horse) (From "Tauromachios" - No. 23)
Mariano Ceballos, alias el Indio, mata el toro desde su caballo. (Mariano Ceballos, called the Indian, kills the bull from his horse) (From "Tauromachios" - No. 23)
Francisco de Goya
1815
Caida de un picador de su caballo debajo del toro. (Fall of a picador from his horse under the bull) (From "Tauromachios" - No. 26)
Caida de un picador de su caballo debajo del toro. (Fall of a picador from his horse under the bull) (From "Tauromachios" - No. 26)
Francisco de Goya
1815
Modo con que los antiguos espanoles cazaban los toros a ballo en el campo. (The way ancient Spaniards baited the bull in the open) (From "Tauromachios" - No. 1)
Modo con que los antiguos espanoles cazaban los toros a ballo en el campo. (The way ancient Spaniards baited the bull in the open) (From "Tauromachios" - No. 1)
Francisco de Goya
1815
Los Moros establecidos en Espana, prescindiendo de las superticiones de su Alcoran..... (The Moors in Spain fight the bulls with lances, giving up the Koran’s superstitions.) (From "Tauromachios" - No. 3)
Los Moros establecidos en Espana, prescindiendo de las superticiones de su Alcoran..... (The Moors in Spain fight the bulls with lances, giving up the Koran’s superstitions.) (From "Tauromachios" - No. 3)
Francisco de Goya
1815
Capean otro encerrado. (They challenge the bull with their cape.) (From "Tauromachios" - No. 4)
Capean otro encerrado. (They challenge the bull with their cape.) (From "Tauromachios" - No. 4)
Francisco de Goya
1815
El animoso moro Gazul es el primero que lanceo toros en regla. (The corageous Moor, Gazul, is the first to fight the bulls according to the rules.) (From "Tauromachios" - No. 5)
El animoso moro Gazul es el primero que lanceo toros en regla. (The corageous Moor, Gazul, is the first to fight the bulls according to the rules.) (From "Tauromachios" - No. 5)
Francisco de Goya
1815
Los moros hacen otro capeo en plaza con su albornoz. (The Moors cape the bulls with their look.) (From "Tauromachios" - No. 6)
Los moros hacen otro capeo en plaza con su albornoz. (The Moors cape the bulls with their look.) (From "Tauromachios" - No. 6)
Francisco de Goya
1815
Origen de los arpones o banderillas. (Origin of the baderillos.) (From "Tauromachios" - No. 7)
Origen de los arpones o banderillas. (Origin of the baderillos.) (From "Tauromachios" - No. 7)
Francisco de Goya
1815
Cogida de un moro estando en la plaza. (A Moor hurt in the arena .) (From "Tauromachios" - No. 8)
Cogida de un moro estando en la plaza. (A Moor hurt in the arena .) (From "Tauromachios" - No. 8)
Francisco de Goya
1815
Un caballero espanol mata un toro despues de haber perido el caballo. (A Spaniard kills the bull after losing his horse.) (From "Tauromachios" - No. 9)
Un caballero espanol mata un toro despues de haber perido el caballo. (A Spaniard kills the bull after losing his horse.) (From "Tauromachios" - No. 9)
Francisco de Goya
1815

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