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Château de Chenonceau, 1st plate (D-W 57 - B 28 - W 77 - G 25 - S 53 & 54)

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Château de Chenonceau, 1st plate (D-W 57 - B 28 - W 77 - G 25 - S 53 & 54)
Château de Chenonceau, 1st plate (D-W 57 - B 28 - W 77 - G 25 - S 53 & 54)

Château de Chenonceau, 1st plate (D-W 57 - B 28 - W 77 - G 25 - S 53 & 54)

Artist Charles Meryon (French, 1821-1868)
Date1856
Dimensions4 5/8 × 8 1/8 in. (11.7 × 20.6 cm)
Mediumetching
ClassificationPrints
Credit LineMuseum Purchase
Object number
1923.3081
Not on View
Château de Chenonceau, 2nd plate (D-W 58 III/III - W 77A - S 53)
Château de Chenonceau, 2nd plate (D-W 58 III/III - W 77A - S 53)
Charles Meryon
1856
L’Arche du Pont Notre Dame (Arch of Notre Dame Bridge) from Eaux-fortes sur Paris, pl.8 (D-W 25 IV/VII - S 28 - B 39 - W 9) Third State
L’Arche du Pont Notre Dame (Arch of Notre Dame Bridge) from Eaux-fortes sur Paris, pl.8 (D-W 25 IV/VII - S 28 - B 39 - W 9) Third State
Charles Meryon
1853
Rébus - Béranger ------------ des Champs (Beranger was not really strong, for he never had the key of the fields) (D-W 101 IV/IV - S 76 - B 78 - W 57)
Rébus - Béranger ------------ des Champs (Beranger was not really strong, for he never had the key of the fields) (D-W 101 IV/IV - S 76 - B 78 - W 57)
Charles Meryon
1864
Vue de ‘Ancien Louvre du coté de Seine (View of the The Old Louvre from the Seine) after a painting by Zeeman, 1651 (D-W 53 VI/VI- S 92 - B 30 - W 60)
Vue de ‘Ancien Louvre du coté de Seine (View of the The Old Louvre from the Seine) after a painting by Zeeman, 1651 (D-W 53 VI/VI- S 92 - B 30 - W 60)
Charles Meryon
1866
Tombeau de Molière (Molière’s Tomb) from Eaux-fortes sur Paris, pl.22 (D-W 40 II/II - S 43 - B 53 - W 23)
Tombeau de Molière (Molière’s Tomb) from Eaux-fortes sur Paris, pl.22 (D-W 40 II/II - S 43 - B 53 - W 23)
Charles Meryon
1854
Rebus: Ci-Git la Vendetta Surannée (Here lies the ancient vendetta) (D-W 100 II/II - S 74 - W 55 - B 77)
Rebus: Ci-Git la Vendetta Surannée (Here lies the ancient vendetta) (D-W 100 II/II - S 74 - W 55 - B 77)
Charles Meryon
1863
La Tour de l’Horlage from Eaux-fortes sur Paris, pl.11 (D-W 28 VI/X - S 31 - B 42 - W 12)
La Tour de l’Horlage from Eaux-fortes sur Paris, pl.11 (D-W 28 VI/X - S 31 - B 42 - W 12)
Charles Meryon
1852
Rebus: Ci-git la Vendetta Surannée (Here lies the ancient vendetta) (D-W 100 II/II - B 77 - W55 - S 74)
Rebus: Ci-git la Vendetta Surannée (Here lies the ancient vendetta) (D-W 100 II/II - B 77 - W55 - S 74)
Charles Meryon
1863
Le Pont au Change (The Exchange Bridge) vers 1764 (D-W 47 IV/VI - B 20 - S 19 - W 28), after Nicolle
Le Pont au Change (The Exchange Bridge) vers 1764 (D-W 47 IV/VI - B 20 - S 19 - W 28), after Nicolle
Charles Meryon
1855
Preséntation of Valère Maxime to Louis XI (D-W 94 VI/VI - B 25 - W 82 - S 89) (after a miniature)
Preséntation of Valère Maxime to Louis XI (D-W 94 VI/VI - B 25 - W 82 - S 89) (after a miniature)
Charles Meryon
1860
Image Not Available for Porte d’un Ancien Couvent (Doorway of an Old Convent), Rue Mirabeau from Views of Bourges (D-W 54 II/III - S 44)
Porte d’un Ancien Couvent (Doorway of an Old Convent), Rue Mirabeau from Views of Bourges (D-W 54 II/III - S 44)
Charles Meryon
1851
Ruines du Château de Pierrefonds (Ruins of the Chateau de Pierrefonds) (D-W 59 III/III)
Ruines du Château de Pierrefonds (Ruins of the Chateau de Pierrefonds) (D-W 59 III/III)
Charles Meryon
1858

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