Main Menu

The Gladdon-Cutter’s Return

Skip to main content
Collections Menu
Image Not Available for The Gladdon-Cutter’s Return
The Gladdon-Cutter’s Return
Image Not Available for The Gladdon-Cutter’s Return

The Gladdon-Cutter’s Return

Artist Peter Henry Emerson English | British, 1856-1936
Date1886
Dimensions9 x 11 1/16 in. (22.7 x 28.7 cm)
MediumPlatinotype (platinum print)
ClassificationPhotographs
Credit LinePurchased with funds given by an anonymous donor
Object number
1977.8
Not on View
Collections
  • Works on Paper
Exhibition HistoryToledo Museum of Art, Past and Present: Photographs from the Permanent Collection, Jan 22 - June 8, 1999 (no cat.). Toledo Museum of Art, Refraction/Reflection, April 20-September 2, 2012.Label TextPeter Henry Emerson was a radical photographer in his day. His concept that a photograph should be allowed to function “as a medium of expression in its own right,” without the staging and false emotion of the Victorian era, had implications still relevant today. He is considered a leading 19th-century landscape photographer, especially of genre scenes of rural life, with his best work centered on the inhabitants and scenery of the East Anglia region of England. This is plate number 33 from the portfolio Life and Landscape on the Norfork Broads, which Emerson produced in conjunction with T. F. Goodall.
Chateau de Josselin, Normandy
Frederick Henry Evans
late 19th-early 20th Century
Durham Cathedral from the Weirbanks
Frederick Henry Evans
late 19th-early 20th Century
Ely Cathedral, Strength of the Normans
Frederick Henry Evans
about 1903
Wells Cathedral, Entrance to Bishop’s Palace
Frederick Henry Evans
about 1853-1943
Chateau Gaillard: The Cliff of Andeley from the West
Frederick Henry Evans
about 1853-1943
Carcassonne, from bridge
Frederick Henry Evans
1904
Bourges Cathedral, France
Frederick Henry Evans
c. 1900
Maiden with Globe
George Henry Seeley
1911

Membership

Become a TMA member today

Support TMA

Help support the TMA mission