Die Eroberung von Jerusalem

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Die Eroberung von Jerusalem

Artist Hermann Nitsch (Austrian, 1938 - 2022)

Publisher Edition Matala (Ernst-Jürgen Wasmuth), Tübingen and Cologne, 1973

Printer reproductions: Hartmut Kitelberger, Rommelsbach; text: Gulde, Tübingen

Binder Pete Swoboda, Cologne

Author Hermann Nitsch (Austrian, 1938 - 2022)

Date1973

DimensionsBook (rounded spine): H: 16 3/4 in. (425 mm); W: 12 in. (305 mm); Depth: 1 1/8 in. (29 mm).
Page: H: 16 9/16 in. (420 mm); W: 11 5/8 in. (296 mm).

MediumReproductions: 4 photolithographs of drawings (diagrams) in black. Text: photolithography, set expressively. Paper: cream wove paper.

ClassificationBooks

Credit LineGift of Molly and Walter Bareiss

Object number

1984.837

Not on View

Label TextHermann Nitsch Das O.M. Theater: Objekte, Fotos, Konzepte (The O. M. Theater: Objects, Photos, Concepts) (1973) Die Arkitektur des Orgien Mysterien Theaters: Mappe I (The Architecture of the Orgies Mysteries Theater: Portfolio I) (1987) Das Orgien Mysterien Theater 80. Aktion: Aufgeführt vom Sonnenaufgang des 27. bis zum Sonnenaufgang des 30. Juli 1984 (The Orgies Mysteries Theater 80th Action: Performed from Sunrise 27th to Sunrise 30th July 1984) (1988) In the 1960s, Hermann Nitsch was a member of the Vienna Actionists, along with Günter Brus (whose work is also on view in this gallery). Nitsch and his friends staged performance art under the name O.M. Theater (Theater of Orgies and Mysteries). The group examined Germany’s Nazi past as well as contemporary social and religious repression. The artists were also inspired by medieval passion plays, Friedrich Nietzsche's writings on communal ecstasy, and Freudian psychoanalysis. Viewers were exposed to acts of religion, sex, and violence by participants who did not consider themselves actors. All actions were real events. The goal was communal orgasmic emotion. Five portfolios of the documents from these actions have been collected and published, along with prints and drawings connected to the O.M. Theater. These portfolios often took many years to complete. The 80th Action is one example. It was performed in 1984, completed in 1987, and published in 1988. Sheet one of this portfolio is an etching based on Rembrandt’s Christ Healing the Sick (The Hundred Guilder Print), which Nitsch made in 1957 and overworked with various colored inks in 1987. Nitsch is a professor of art in Vienna and Frankfurt. At 65 years old, he continues to perform Actions in the United States and Europe.