Rève d'une petite fille qui voulut entrer au carmel
Rève d'une petite fille qui voulut entrer au carmel
Artist
Max Ernst
French, 1891-1976
Publisher
Éditions du carrefour, Paris, 1930
Printer
Imprimerie Durand, Chartres
Author
Max Ernst
French, 1891-1976
Date1930
Dimensionscover: 9 3/4 x 7 11/16 in. (247 x 196mm)
chemise: 9 3/8 x 7 5/8 in. (238 x 193mm)
book: 9 5/16 x 7 3/8 in. (237 x 187mm)
page: 9 5/16 x 7 1/4 in. (237 x 184mm)
chemise: 9 3/8 x 7 5/8 in. (238 x 193mm)
book: 9 5/16 x 7 3/8 in. (237 x 187mm)
page: 9 5/16 x 7 1/4 in. (237 x 184mm)
MediumReproductions: line block reproductions of collages of etchings
Text: letterpress
Paper: buff tinted wove paper
ClassificationBooks
Credit LineMrs. George W. Stevens Fund
Object number
1987.12
Not on View
Collections
Exhibition HistoryBetween the Wars; Sept. 5 2008 through Dec.31 2008Label TextThe organization and visual structure of the collages of this book are closely related to LA FEMME 100 TETES, as in its general preoccupation with themes of violence, sex, mystery, journeys, and the church. As an intellectual nonconformist fascinated by the role of nonrational experiences in shaping human actions, Ernst disdained the rigid bias of the scientific establishment. Through the pictorial imagery of his book, he investigated the world of human emotions dramatized in the visual, episodic tale of a young girl whose erotic desire and religious devotion are manifested in her dreams. This book is Ernst's most complicated and sustained attempt to use surreal imagery to reproduce the quality and the effect of the dream process. Max Ernst, in his introduction, innocently poses the question, "What do little girls dream who want to enter the Carmelite order?" This, the second of Ernst's collage novels, has more narrative continuity than the first, La Femme 100 têtes, but shares themes of unstable identity, sexual passion, false innocence, religious perversity, and violence. Ernst captioned the page displayed here: "Marceline-Marie wakes up, a bit in a dither. She straightens her clothing which, this time, really is indecent, and goes back to sleep smiling. The dream continues."- Works on Paper
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