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Les minutes de sable mémorial (Minutes of the Sands of Time)

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Les minutes de sable mémorial (Minutes of the Sands of Time)
Les minutes de sable mémorial (Minutes of the Sands of Time)

Les minutes de sable mémorial (Minutes of the Sands of Time)

Artist Alfred Jarry French, 1873-1907
Author Alfred Jarry French, 1873-1907
Place of OriginParis
Date1894
Dimensionsbook: 5 1/2 x 4 7/16 x 11/16 in. (139 x 113 x 18mm)
page (untrimmed): 5 1/2 x 4 7/16 in. (139 x 113mm)
MediumRare book with 8 original woodcuts by Jarry (7 hors texte in dark blue and brown, and 1 on the wrapper, printed in dark gold). Plus 2 additional woodcuts (earlier 'imageries populaires') hors texte, printed in brown and 1 line-block reproduction of pen-and-ink drawing, printed in black. Cream laid arches paper, letterpress printed.
ClassificationBooks
Credit LineMrs. George W. Stevens Fund
Object number
2001.5
Not on View
Collections
  • Works on Paper
Published Referencescf. Talvert & Place, Auteurs modernes, X, p. 128, no. 1 cf. Arrivé, Michel, Peintures, Gravures, & Dessins d'Alfred Jarry, (Paris: Collège de Pataphysique, n.d.) pp. 112-114, p. 116, p. 125 cf. De los nabis a la patafísica: Alfred Jarry, Ivam Centre Julio González, 2000 cf. Baas, Jacquelynn and Richard S. Field, The Artistic Revival of the woodcut in France, 1850-1900 (Ann Arbor, 1983), p. 121f, cat. 70. cf. Beaumont, Keith, Alfred Jarry (Bath, Great Britain: Leicester University Press, 1984). cf. Castleman, Riva, A Century of Artists' Books (New York: Museum of Modern Art, 1994). cf. Lennon, Nigey, Alfred Jarry: the Man With the Axe (Los Angeles: Panjandrum Books, 1984) cf. Schumacher, Alfred Jarry and Guillaume Apollinaire (London: Macmillan, 1984). cf. Shattuck, Roger, The Banquet Years. The Origins of the Avant Garde in France, 1885 to World War I (New York: Vintage, 1968). cf. The Spirit of Monmartre, edited by Phillip Dennis (New Brunswick, NJ: Jane Voorhees Zimmerli Art Museum, 1996), p. 143, 156. cf. http://www.ukans.edu/~sma/almanac/min.htmExhibition HistoryTMA New Acquisitions in Graphic Arts, Dec. 21, 2001-March 30, 2002Comparative ReferencesSee also Michel Arrivé, Peintures, Gravures, & Dessins d'Alfred Jarry (Paris: Collège de 'Pataphysique, n.d.) cf. Jacquelynn Baas and Richard S. Field, The Artistic Revival of the woodcut in France, 1850-1900 (Ann Arbor, 1983), p. 121f, cat. 70. cf. Keith Beaumont, Alfred Jarry (Bath, Great Britain: Leicester University Press, 1984). cf. Riva Castleman, A Century of Artists' Books (New York: Museum of Modern Art, 1994). cf. Nigey Lennon, Alfred Jarry: the Man With the Axe (Los Angeles: Panjandrum Books, 1984) cf. Schumacher, Alfred Jarry and Guillaume Apollinaire (London: Macmillan, 1984). cf. Roger Shattuck, The Banquet Years. The Origins of the Avant Garde in France, 1885 to World War I (New York: Vintage, 1968). cf. The Spirit of Montmartre, edited by Phillip Dennis (New Brunswick, NJ: Jane Voorhees Zimmerli Art Museum, 1996), p. 143, 156. cf. http://www.ukans.edu/~sma/almanac/min.htm

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