Botzaris Surprises the Turkish Camp and Falls Fatally Wounded
Botzaris Surprises the Turkish Camp and Falls Fatally Wounded
Artist
Eugène Delacroix
(French, 1798-1863)
Place of OriginFrance
Date1860-1862
DimensionsPainting: 25 5/8 × 28 3/4 in. (65.1 × 73 cm)
Frame: 32 3/4 × 37 3/4 × 3 3/4 in. (83.2 × 95.9 × 9.5 cm)
Frame: 32 3/4 × 37 3/4 × 3 3/4 in. (83.2 × 95.9 × 9.5 cm)
Mediumoil on canvas
ClassificationPaintings
Credit LinePurchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey, and with funds from the Florence Scott Libbey Bequest in Memory of her Father, Maurice A. Scott
Object number
1994.36
On View
Toledo Museum of Art (2445 Monroe Street), Gallery, 31
Serullaz, Mémorial de l'exposition Eugène Delacroix, Paris, 1963, no. 529 (illus. p. 408).
Huyghe, R., Delacroix, London, 1963, p. 521, no. 18.
Maltese, C., Delacroix, Milan, 1965, p. 178 (illus. pl. 98).
Sérullaz, M., Delacroix, New York, 1973, color ill. p. 167.
Huyghe, R., La peinture française au XIXe siècle. La relève de l'imaginiare, réalisme, romantisme, Paris, 1976, p. 304, (ill. pl. XXII).
Athanassoglou, N., "Under the Sign of Leonidas: the Political and Ideological Fortune of David's Leonidas at Thermopylae under the Restoration," Art Bulletin, LXIII, (December 1981), p. 631, no. 21.
Georgel, P., Tout l'oeuvre peint de Delacroix, Paris, 1984, no. 792, p. 132.
Johnson, L., The Paintings of Eugène Delacroix, Oxford, 1986, vol. III, no. 346, p. 159, ill. vol. IV, pl. 160.
The Toledo Museum of Art, Toledo Treasures, Toledo, 1995, p. 117, repr. (col.).
"Calendar," Burlington, vol. 138, no. 1115, Feb. 1996, fig. 101, p. 160.
"Principales acquistions des musées en 1995," Gazette des Beaux-Arts, vol. 127, no. 1526, Mar. 1996, repr. p. 72.
Rautmann, Peter, Delacroix, Paris, 1997, fig. 295, p. 304 (col.).
Eugène Delacroix, Paris, 1998, p. 13, fig. 12, p. 14 (col.) [special issue of Connaissance des Arts].
Delacroix: la naissance d'un nouveau romantisme, Rouen, 1998, p. 80, fig. 25, p. 81.
Southgate, M. Therese, "The Cover," JAMA, The Journal of the American Medical Association, vol. 285, no. 4, Jan. 24/31, 2001, p. 375, repr. on cover (col.).
Berkowitz, Roger M., "Selected acquisitions made by the Toledo Museum of Art, 1990-2001," Burlington, vol. 143, no. 1177, April, 2001, p. 261, fig. XII (col.).
Taylor, Bradley L., "The effect of surrogation on viewer response to expressional qualities in works of art," unpublished Ph.D. dissertation, University of Michigan, 2001, p. 78, pl. A2, p. 171.
Sérullaz, Arlette and Vincent Pomarède, Eugène Delacroix: La Liberté Guidant le peuple, Paris Musée du Louvre, 2004, pp. 41, 69, n. 47, fig. 31 (col.).
Sellier, Marie, La peinture entrée libre, Paris, Editions Nathan, 2004, p. 49, repr. (col.).
Rosenberg, Pierre, Passion for drawing: Poussin to Cézanne, works from the Prat Collection, Alexandria, VA Art Services International, 2004, p. 21, fig. 2, p. 23.
Toledo Museum of Art, Toledo Museum of Art Masterworks, Toledo, 2009, p. 244, repr. (col.).
Exhibition HistoryParis, Musée du Louvre, Centenaire du Romantisme, Exposition Eugène Delacroix, 1903, no. 181.Paris, Musée Carnavalet, Chefs-d'oeuvre des collections parisiennes. Peintures et dessins de l'école française du XIXe siècle, 1952-1953, no. 35.
Paris, Musée du Louvre, Centenaire d'Eugène Delacroix, 1798-1863, 1963, no. 525.
Paris, Musée du Petit-Palais, Baudelaire, 1968-1969, no. 277.
New York, Richard L. Feigen & Co., Neo-Classicism and Romanticism in French Paintings, 1774-1826, 1994, pp. 164-167, no. 60, ill.
Bordeaux, Musée des Beaux-Arts; Paris, Musée National Eugene-Delacroix; Athens, Pinacothèque nationale, La Grèce en révolte: Delacroix et les peintres français 1815-1848 1996-97, no. 33, p. 130, repr. (col.).
Louvre, Paris, France. 1998-99.
Paris, Grand Palais; Philadelphia Museum of Art, Delacroix, les dernières années, no. 137, pp. 323-325, repr. (col.) [Eng. ed.] pp. 323-324, repr. (col.).
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