Pagoda Organ Clock
Artist: Movement attributed to James Cox (British (London))
Artist: or possibly Joseph Beloudy
Date: about 1780
Dimensions:
with stand, H: 40 in. (101.6 cm)
Medium: gilded bronze
Place of Origin: England
Classification: Metalwork
Credit Line: Purchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey
Object number: 1968.76A-B
Label Text:From the late 1500s to the late 1700s, when European nations were establishing colonies in Asia, contacts between China and Europe entered a period of complex change. These contacts produced significant cultural exchanges and appropriations, but also resulted in misconceptions and stereotypes. Europe became enamored of Chinese forms and designs, and a style known as chinoiserie permeated the decorative arts.
This large pagoda-shaped clock may have been made for James Cox, who contracted goldsmiths to make intricate clockwork curiosities (automata) for customers in China and India. This clock, festooned with tiny golden bells, is one of the most elaborate chinoiserie timepieces made in England. Inside its three tiers is a clock mechanism that is coupled with a tiny automated bellows organ. The central tier has an enameled dial at the front, while the panels on the other three sides have miniature Chinese land- and seascapes with mechanical moving parts. When the clock chimed every quarter hour, the ships in the tower “sailed” on the sea, and, in a curious mix of “oriental” influences, the organ plays English pseudo-Arabic melodies.
This large pagoda-shaped clock may have been made for James Cox, who contracted goldsmiths to make intricate clockwork curiosities (automata) for customers in China and India. This clock, festooned with tiny golden bells, is one of the most elaborate chinoiserie timepieces made in England. Inside its three tiers is a clock mechanism that is coupled with a tiny automated bellows organ. The central tier has an enameled dial at the front, while the panels on the other three sides have miniature Chinese land- and seascapes with mechanical moving parts. When the clock chimed every quarter hour, the ships in the tower “sailed” on the sea, and, in a curious mix of “oriental” influences, the organ plays English pseudo-Arabic melodies.
DescriptionGilded bronze clock on lacquered wood stand
Not on view
In Collection(s)