Burnet, J. and P. Cunningham, Turner and His Works, London, 1852, p. 119, no. 216.

Waagen, G., Treasures of Art in Great Britain, London, 1854, II, pp. 350-351.

Thornbury, W., Life of J.M.W. Turner, R. A., London, 1862, II, pp. 382, 401.

Bell, C. F., Works Contributed to Public Exhibitions by J. M. W. Turner, R. A., London, 1901, p. 144, no. 232.

Armstrong, W., Turner, London, 1902, p. 235, repr.

Ruskin, J., The Works of John Ruskin (eds. E. T. Cook and A. Wedderburn), London, 1903-1912, III, pp. xxiv, 250, 251n (erroneously as View of Murano with the Cemetery); VII, pp. 149n, 157, and 157n, pl. 67; X, p. 38n; XIII, pp. 409, 454, 499.

Leclercq, Julien, "J. M. W. Turner," Gazette des Beaux-Arts, III, vol. 32, 1904, p. 250.

Tyrell-Gill, Frances, Turner, 1904, pp. 155-156.

Wyllie, W. L., J. M. W. Turner, London, 1905, p. 174, no. 232, p. 126.

Turner, J. M. W., Venice-Campo Santo, Henry Reinhardt & Son, New York, 1916, pp. 1-10, repr. frontis.

Blaikie-Murdoch, "Turner's Compo Santo at Venice Recently Acquired by Mr. Edward Drummond Libby [sic]," Art in America, vol. V, February 1917, pp. 99-104, repr.

Toledo Museum News, no. 48, March 1926, p. 8, repr. only.

Finberg, A. J., In Venice with Turner, London, 1930, pp. 140, 157.

Holmes, Sir Charles, "Review of In Venice with Turner, by A. J. Finberg," Cotswold Gallery, 1931, Burlington Magazine, July 1931.

Godwin, Blake-More, European Paintings in the Toledo Museum, 1939, p. 312, repr. p. 313.

Finberg, A. J., The Life of J.M.W. Turner, London, 1939, pp. 390, 506, no. 546.

Cheney, Seldon, Story of Modern Art, New York, 1941, p. 67, repr. only.

Turner in America, Indianapolis, Art Association of Indianapolis, John Herron Art Museum, 1955, p. iv, no. 46, repr.

Gunther, Charles F., "Landscapes of Fancy and Freedom," Museum News, new series, vol. 3, 1960, p. 38-39, repr. p. 38.

Grosser, Maurice, Critic's Eye, Indianapolis, Bobbs-Merrill, 1962, p. 168.

Constable, W. G., Art Collecting in the United States of America: An Outline of History, London, T. Nelson, 1964, p. 130.

Rothenstein, J., and M. Butlin, Turner, New York, 1964, pp. 52, 66, pl. 116.

Gowing, Lawrence, Turner Imagination and Reality, New York, Doubleday, 1966, p. 38, no. 25, repr. p. 55.

Lindsay, J., J.M.W. Turner, London, 1966, pp. 40-41.

A Guide to the Toledo Museum of Art, Toledo, 1966, repr.

Garlick, K., "The Bicentenary Exhibition at the Royal Academy," Apollo, LX, Feb. 1969, p. 93, fig. 7.

Gage, J., "La peinture romantique anglaise et les Préraphaélites," La Revue du Louvre, XXII, no. 1, 1972, p. 54, fig. 4.

"Artist of Atmosphere," MD, vol. 18, no. 2, Feb. 1974, repr. p. 126.

Turner, 1775-1851, London, Tate Gallery, 1974, p. 152.

Toledo Museum of Art, The Toledo Museum of Art, European Paintings, Toledo, 1976, pp. 160-61, pl. 333.

The Toledo Museum of Art: A Guide to the Collections, Toledo, 1976, repr. p. 73 (col.).

Butlin, Martin and Evelyn Joll, The Paintings of J.M.W. Turner, New Haven, 1977, no. 397, pp. 223-224, repr. (col.) pl. 385.

Russell, Reba, Joseph Mallord William Turner, Memphis, The Dixon Gallery and Gardens, 1979, pp. 13, 15, no. 4, repr. p. 20, cover (col.).

Thomas, David, J.M.W. Turner, London, 1979, p. 22, repr. (col.).

Morse, John D., Old Master Paintings in North America, New York, 1979, p. 280.

Honour, Hugh, Romanticism, New York, 1979, p. 97, fig. 54, p. 99.

Mellow, James R., "Transcendental Admirers: Turner's American Friends," Art News, vol. 79, no. 10, Dec. 1980, p. 80, repr. (col).

J. M. W.Turner, Paris (Grand Palais), 1983, p. 136 (not in exhibition).

Joll, Evelyn, "Turner's 'View of Venice: Ducal Palace, Dogana, with Part of San Giorgio,'" Allen Memorial Art Museum Bulletin, vol. 41, no. 2, 1983-1984, p. 79, repr. fig. 4.

George, Hardy, "Turner in Europe in 1833," Turner Studies, vol. 4, no. 1, Summer 1984, pp. 19, 21, no. 29, repr. fig. 28.

Horowitz, Frederick A., More than You See: A Guide to Art, New York, 1985, repr. p. 205.

Stainton, Lindsay, Turner's Venice, London, 1985, pp. 32, 70, pl. 102 (col.).

Turner, Tokyo, National Museum of Western Art, 1986, no. 47, pp. 27, 280, repr. (col.). p. 139.

Treuherz, Julian, "The Turner Collector: Henry McConnel, Cotton Spinner," Turner Studies, vol. 6, no. 2, Winter, 1986, p. 41, fig. 5.

Gage, John, J.M.W. Turner: 'A Wonderful Range of Mind', New Haven, 1987, p. 54, fig. 79 (col.) and 80 (col. det.).

Wilton, Andrew, Pintura Britanica de Hogarth a Turner, Madrid, Museo del Prado,1988, no. a47, p. 212, repr. (col.).

Lewis, David, "Museum Impressions," Carnegie Magazine, vol. 59, no. 12, Nov./Dec. 1989, p. 15.

Vaughan, William, L'Art du XiXe siècle 1780-1850, Paris, 1989, fig. 99, p. 224 (col.).

Halsby, Julian Venice: the Artists' Vision, London, 1990, p. 18, repr. p. 17.

Shanes, Eric, Turner's Human Landscape, London, 1990, pp. 92-94, 248, fig. 50 (col.).

Tanner, Tony, Venice Desired, Oxford, 1992, p. xii, repr. fig. 4, after p. 112.

Wallace, Robert K., Melville and Turner: Spheres of Love and Fright, Athens, Georgia, 1992, pp. 66, 165, 175, 339, 498, 500, 519, fig. 102, pp. 340-341.

Agnew's 175th Anniversary, London, 1992, no. 19, [sales catalogue].

Silver, Larry, Art in History, New York, 1993, p. 313, fig. 7.28 (col.).

Toledo Museum of Art, Toledo Treasures, Toledo, 1995, p. 123, repr. (col.).

Lloyd, Michael, Turner, Canberra, National Gallery of Australia, 1996, no. 24, pp. 158, 192, repr. p. 190 (col.) and 191 (col. det.).

Allen, Maureen, Cressbrook, Kendal, 1996, p. [27] repr.

Herrmann, Luke, Nineteenth Century British Painting, London, 2000, p.111, pl. 21 (col.).

Baker, Margaret, ed., Dante Colloquia in Australia (1982-1999), Adelaide, 2000, repr. on cover (col. det.).

The Oxford Companion to J.M.W. Turner, Oxford, 2001, pp. 362, 418, pl. 29. (col.).

Koltzsch, Georg-W., William Turner: die Wahrheit der Legende, Cologne, Du Mont, 2002, p. 148, repr. (col.) pp. 146-147 and (det., col.) p. 150.

Warrell, Ian, Turner and Venice, London, Tate Britain, 2003-2004, no. 45, pp. 26, 182, 199, 204, 209, 234, 252, repr. (det. col.) pp. 40-41, fig. 257 (col.) p. 237.

"Exhibitions... Turner and Venice," Kimbell Art Museum Calendar, Feb.-Aug. 2004, p. 5, repr. (col.) p. 6.

Green, Richard, "Exhibitions Reviews: Turner and Venice - London, Fort Worth and Venice," Burlington Magazine, vol. 146, no. 1212, March 2004, p. 186, fig. 44 (col.).

Warell, Ian, Turner y Venecia, Barcelona, Fundacion "la Caixa," 2005, p. 38, fig. 20 (col.).

Smiles, Sam, The Turner Book, London, Tate Publishing, 2006, pp. 129, 132, 208, fig. 71, p. 130 (col.).

Humfrey, Peter, Titian, London, Phaidon, 2007, p. 222, repr. (col.) p. 224.

Mellor, David Alan, No Such Thing as Society: Photography in Britain 1967-87 from the British Council and the Arts Council Collection, London, Hayward, 2007, repr. p. 110, (col.).

The Toledo Museum of Art, Toledo Museum of Art Masterworks, Toledo, 2009, p. 237, repr. (col.).

Gage, John, Turner, Paris, Citadelles & Mazenod, 2009, repr. (col.) p. 90-91, no. 69.

Weekly Books: Great Masters of Western Art, vol. 35, 2009, repr. (col.) p. 36.

Hewison, Robert, Ruskin on Venice: The Paradise of Cities, New Haven, CT, Yale University Press, 2009, p. 63-64, fig. 21, repr. (col.) p. 64.

Meslay, Olivier, "Turner et ses peintres," Dossier de L'art, Dijon, No. 172, February 2010, repr. det. (col.) p. 56, repr. (col.) p. 61.

Lewison, Jeremy, Turner, Monet, Twombly: later paintings, Stockholm, Moderna museet, 2011, fig. 23, p. 41, repr. (col.).

Costello, Leo, J.M.W. Turner and the Subject of History, Surrey, England, Ashgate, 2012, p. 153, fig.4.6, repr. (col.) p. 154.

ed. Tobias G. Natter and Franz Smola, Wolken: Welt dez Flüchtigen, Germany, Hatje Cantz, 2013, repr. p. 9.

Newall, Christopher, John Ruskin: Artist and Observer, Ottawa, National Gallery of Canada, 2014, repr. (col.) p. 298, fig. 7.2.