Cole Papers: Correspondence between Cole and Town, Manuscripts and History Division, New York State Library, Albany (on microfilm, Archives of American Art).

"The Fine Arts," The Knickerbocker, XVII, July 1840, p. 81.

"Our Landscape Painters," The New-York Mirror, XVIII, July 7, 1840, p. 29.

Bryant, W.C., A Funeral Oration Occasioned by the Death of Thomas Cole, Delivered Before the National Academy of Design, New-York, May 4, 1848, pp. 27-28.

Noble, L., The Course of Empire, New York, 1853, pp. 285-286.

Cowdrey, National Academy of Design, p. 89 (owned by Ithiel Town).

"Thomas Cole: American Romantic," Art News, vol. 40, December 1, 1941, repr.

"Cole Centenary," Art Digest, vol. 23, December 15, 1948, p. 10, repr.

Seaver, E., Thomas Cole, 1801-1848: One Hundred Years Later, Hartford, Wadsworth Atheneum, 1948, no. 36, pl. XI (cat. by E. Seaver).

Tunnard, C., "Reflections on 'The Course of Empire' and other Architectural Fantasies of Thomas Cole," Architectural Review, CIV, December 1948, pp. 291, 294, repr. (detail).

Soby, J., "T. Cole," Art News, XLVII, January 1949, p. 29, repr. p. 27.

Larkin, O., Art and Life in America, New York, 1949, p. 175.

Travelers in Arcadia: American Artists in Italy 1830-1875, Detroit Institute of the Arts, 1951, no. 34, repr. and cover (detail).

"Arcadia Revisited in Detroit 19th century American show," Art Digest, vol. 25, January 15, 1951, pp. 7-8, repr. p. 8.

Ricardson, Edgar P., and Otto Wittmann, "American in Arcadia," Art News, vol. 49, January 1951, pp. 20, 21, 62, repr.

"A review of exhibition, "Travelers in Arcadia," Antiques, vol. 59, April 1951, pp. 311, 313, repr. p. 313.

Art Digest, vol. 27, October 1, 1952, no. 1, p. 9.

Studio, vol. 145, January 1953, p. 19, repr.

Art Digest, vol. 27, Feburary 15, 1953, p. 7, repr.

Tunnard, Christopher, "An Artist in the Streets," Magazine of Art, vol. 46, February 1953, p. 72, repr.

Godwin, Molly Ohl, Master Works, Toledo Museum of Art, 1953, p. 44, repr. in color, p. 45.

Richardson, Edgar P., "The Romantic Genius of Thomas Cole," Art News, vol. 55, December, 1956, p. 52.

Hawes, L., "A Sketchbook by Thomas Cole," Record of the Art Museum, Princeton University, XV, no. 1, 1956, pp. 9-11, repr.

Richardson, E. P., Painting in America, The Story of 450 Years, New York, 1956, p. 168, pl. IX.

Deutsch, B. Novak, "Cole and Durand: Criticism and Patronage," unpublished Ph.D. dissertation, Radcliffe College, 1957, pp. 48-51.

Brooks, Van Wyck, The Dream of Arcadia: American Writers and Artists in Italy, 1760-1915, New York, Dutton, 1958, p. 46.

Whitaker, Margaret C., "The Artist Looks at Nature," Toledo Museum of Art Museum News, New Series, vol. 2, no. 2, 1959, p. 21, repr. p. 18.

Grigaut, Paul L., "An American Painter's Dream," Bulletin of the Detroit Institute of Arts, vol. 38, 1959, p. 90.

Pierson, William H., and Martha Davidson, editors, Arts of the United States: a Pictorial Survey, New York, McGraw-Hill, 1960.

Mumford, Lewis, "The City in History," Horizon, vol. III, no. 6, July 1961, p. 33, repr. (det.).

Grosser, Maurice, Critic's Eye, Indianapolis, Bobbs-Merrill, 1962, p. 169.

Wittmann, Otto, "The Attraction of Italy for American Painters," Antiques, vol. 85, no. 5, May 1964, p. 556, repr. in color (det.) p. 557.

Agee, William, "Nineteenth-century Eccentrics and the American Tradition," Art News Annual, XXXII, p. 141, repr. (b&w) p. 137, (det.) p. 136.

Pearce, John, American Painting, 1560-1913, New York, 1964, p. 40, repr. as 35 mm., color slide.

Gowans, A., Images of American Living, New York, 1964, p. 291, fig. 96.

Noble, L., The Life and Works of Thomas Cole, (E. Vessell, ed.), Cambridge, 1964, pp. 212, 213, 321, no. 2, pl. 20.

"The Artist Speaks: Part Two," Art in America, LIII, August-September 1965, pp. 43-46, repr. (det.) p. 52.

Gerdts, W., "Egyptian Motifs in Nineteenth Century American Painting and Sculpture," Antiques, XC, October, 1966, p. 493, repr.

Baigell, Matthew, "Grant Wood Revisited," Art Journal, vol. 26, no. 2, Winter 1966/1967, p. 121, repr. (b&w) fig. 8.

Young, Mahonri Sharp, "From Howling Wilderness to Queensborough Bridge," Apollo, vol. 86, no. 70, Dec. 1967, p. 497, repr (b&w) fig. 7, p. 498 (col. det.) pl. XIX p. 499.

Stein, Roger B., John Ruskin and Aesthetic Thought in America, 1840-1900, Cambridge, Mass., 1967, p. XVL, repr. after p. 156.

McLanathan, Richard, The American Tradition in the Arts, New York, 1968, p. 242, repr.

Spaeth, Eloise, American Art Museums, New York, 1969, rev. ed., p. 205.

Garrett, Wendell D., The Arts in America, the Nineteenth Century, New York, 1969, p. 213, repr.

Schwartz, Marvin D., "The Metropolitan Museum Surveys Nineteenth-century America," Connoisseur, vol. 174, no. 702, Aug. 1970, p. 295.

Schwartz, Marvin D., "19th Century America," Arts Magazine, vol. 44, no. 6, April 1970, p. 31.

"The Paintings of Nineteenth-century America," Antiques, vol. 97, no. 3, p. 393, repr.

Davidson, Marshall, The American Heritage History of American Antiques from the Revolution to the Civil War, New York, 1968, p. 273, repr. (col.) p. 270-271, fig. 352.

Langer, Alfred, Künstler in der Künst, Leipzig, 1970, p. 15, repr. (col.) no. 27.

Howat, J. and N. Spassky, 19th Century America, Paintings and Sculpture, New York, Metropolitan Museum of Art, 1970, no. 49, repr.

Rosenblum, R., Transformations in Late Eighteenth Century Art, Princeton, 1970, p. 107, fig. 113.

Gowans, Allan, The Unchanging Arts, Philadelphia, 1971, p. 129, repr.

Binney, Marcus, "Masters or Slaves of Antiquity," Country Life, vol. 152, no. 3926, Sept. 14-21, 1972, p. 645, repr. fig. 6.

Schlenoff, Norman, "L'Age du Neo-Classicisme," L'Oeil, nos. 212-213, AUg. Sept., 1972, p. 7, repr. fig. 10.

The Vincent Price Treasurey of American Art, Waukesha, Wisc., 1972, p. 72, 73, repr. (col.).

McLanathan, Richard, Art in America, a Brief History, London, 1973, p. 146, repr. (col.) p. 145.

"Romantic painting," The New Encyclopaedia Britannica, Chicago, 1974, MIcropaedia, vol. VIII, repr. p. 654 (col.).

Feaver, W., The Art of John Martin, Oxford, 1974, pp. 109-110, pl. 80.

The Toledo Museum of Art, A Guide to the Collections, Toledo, 1976, repr. p. 76 (col.).

Pitts, Carolyn, "Le Néoclassicisme en Amérique," Les Monuments Historiques de la France, vol. 22, no. 2, 1976, repr. p. 13.

Lipman, J., and H. Franc, Bright Stars: American Painting and Sculpture Since 1776, New York, 1976, p. 70, repr. (col.).

Parry, E., "Gothic Elegies for an American Audience, Thomas Cole's Repackaging of Imported Ideas," American Art Journal, VIII, Nov. 1976, pp. 38, 40, 41, fig. 11.

American Council for the Arts in Education, Coming to Our Senses, New York, 1977, repr. p. 25.

Ratcliff, Carter, "Modernism for the Ages," Art in America, vol. 66, no. 4, July/Aug. 1978, p. 53, repr. p. 54.

Pierson, W. H., Jr., American Buildings and Their Architects: Technology and the Picturesque, Garden City, 1978, pp. 127-129, fig. 87.

Davidson, Abraham A., The Eccentrics and Other American Visionary Painters, New York, 1978, pp. 23, 24, repr. (col.) on cover.

The Toledo Museum of Art, The Toledo Museum of Art, American Paintings, Toledo, 1979, pp. 30-35, pl. 23, colorpl. II.

Strickler, Susan E., "American Paintings at the Toledo Museum of Art," Antiques, vol. 116, no. 5, Nov. 1979, p. 1109, 1113, 1118, repr. (col.) pl. V and detail on cover (col.).

Bishop, Robert, The World of Antiques, Art and Architecture in Victorian American, p. 25, repr. p. 20.

Parry, Ellwood C. III, "Thomas Cole's Imagination at Work in The Architect's Dream," American Art Journal, vol. XII, no. 1, Winter 1980, pp. 41-59, repr. figs. 1, 6, 9, 13, 16, 19.

Hollander, Anne, Seeing Through Clothes: Fashioning Ourselves, an Intriguing New Look at Image-Making, New York, Avon, 1980 [c1978], p. 33, 34, fig. 1.29, p. 35.

Banham, Reyner, "Marbled Perspectives," Newsociety, Feb. 21, 1980, pp. 400-40, repr.

Raeburn, Michael, Architecture of the Western World, New York, 1980, repr. p. 32 (col.).

"La chronique des arts," (notice of American paintings catalogue), Gazette Beaux-Arts, vol. 97, no. 1348-1349, May-June, 1981, p. 12.

Mead, Katherine Harper, The Preston Morton Collection of American Art, Santa Barbara, 1981, p. 258.

Baigell, Matthew, Thomas Cole, New York, 1981, p. 56, 64, repr. (col.) Pl. 23, p. 64-65.

Broadd, Harry A., "American Painters of Romantic Landscapes," Arts & Activities, vol. 89, no. 2, March 1981, p. 20, repr. (col.) p. 19.

Soria, Regina, Dictionary of Nineteenth-Century American Artists in Italy 1760-1914, London, 1982, repr. p. 115.

Staiti, Paul J., "Samuel F. B. Morse and The Search for the Grand Style", in Samuel F. B. Morse, New York, Grey Art Gallery, 1982, p. 72, repr. fig. 76, p. 71.

Bishop, Robert, American Decorative Arts, New York, 1982, p. 159, repr. (col.) pp. 160-161.

Sola-Morales, Ignasi de "Toward a Modern Museum: from Riegl to Giedion, Oppositions, no. 25, Fall, 1982, repr. p. 68.

Levine, Stuart, "Parlor Pianos, Homespun and Ahab's Leyden Jar: the Arts and American Life," Canadian Review of American Studies, vol. 14, no. 4, Winter, 1983, p. 378, repr.

Dillenberger, John, The Visual Arts and Christianity in America, Chico, CA, 1984, pp. 84, 188, pl. 36.

Gerdts, William H., "American Landscape Painting: Critical Judgments, 1730-1845," American Art Journal, vol. 17, no. 1, Winter, 1985, p. 50, fig. 33, p. 53.

Lowry, Bates, Building a National Image: Architectural Drawings for the American Democracy, 1789-1912, Washington, 1985, p. 42, fig. 36 (not in exhibition).

Andrew, David S., Louis Sullivan and the Polemics of Modern Architecture, Urbana, 1985, pp. 2-4, pl. 1.

Vitgel, Gudmund, "The Architectural Panorama," Architecture, vol. 75, no. 5, May 1986, p. 168, repr.

American Paintings from the Toledo Museum of Art, New York, IBM Gallery of Science and Art, 1986, repr. (col.).

Schaefer, Claire, "Instructional Resources: Thomas Cole, The Architect's Dream," Art Education, vol. 40, no. 4, July 1987, p. 30, repr. p. 29 (col.).

Blau, Douglas, Fictions: A Selection of Pictures from the 18th, 19th, and 20th Centuries, New York, Kent Fine Art and Curt Marcus Gallery, 1987, no. 55, repr., [not an actual exhibition].

Gaehtgens, Thomas W., ed., Bilder aud der Neuen Welt, Münich, 1988, p. 62, T. 8, repr. (col.) [not in exhibition].

Parry, Ellwood C., The Art of Thomas Cole: Ambition and Imagination, Newark, DE, 1988, pp. 243, 245, 246-247, 248, fig. 198, 199 (det.).

Kennedy, Roger G., Greek Revival America, New York, 1989, repr. p. 337, 456 (dets.).

Vaughan, William, L'Art du XIXe siecle 1780-1850, Paris, 1989, fig. 595, p. 560.

Mead, Christopher, ed., The Architecture of Robert Venturi, Albuquerque, 1989, p. 48, fig. 65.

Powell, Earl A., Thomas Cole, New York, 1990, p. 96, repr. p. 97.

L'Aventure de l'art aux XIXe siecle, Chêne, 1991, p. 351, repr. (col.).

Colbert, Charles, "Dreaming up the Architect's Dream," A, Erocam Art, vol. 6, no. 3, Summer, 1992, pp. 79-91, repr. p. 78 (col. double fold) and det. p. 82 (col., det.).

Bremer, Sidney H., Urban Intersections: Meetings of Life and Literature in United States Cities, Urbana, 1992, pp. 7, 9, fig. 3, p. 10.

Martin, Jennifer, et. al., L'Art des etats-unis, Paris, 1992, fig. 80, pp. 192-193 (col.).

Timeline, Ohio Historical Society, vol. 10, no. 4, July/Aug. 1993, inside back cover, repr. (col., det.).

Pötzsch, Regine, ed., Sleep in Art, Basel, 1993, p. (96), repr. (col.).

Craven, Wayne, American Art: History and Culture, Madison, WI, 1994, p. 203, 204, fig. 15.6.

Gargus, Jacqueline, Ideas of Order: A Formal Approach to Architecture, Dubuque, 1994, p. 251, fig. 13.15.

Truettner, William H. and Alan Wallach, ed., Thomas Cole: Landscape into History, Washington, 1994, p. 82, 84, fig. 99, p. 82 (col.).

Jean, Georges, Voyages en utopie, Paris, 1994, repr. p. 1 (det., col.), 2-3 (col.).

Betsky, Aaron, Building Sex, New York, 1995, fig. 1.5, p. xiv.

Wood, John, The Scenic Daguerreotype, Iowa City, 1995, p. 60, fig. 23.

The Toledo Museum of Art, Toledo Treasures, Toledo, 1995, p. 120 repr. (col.).

Grieff, Constance M., Early Victorian, New York, 1995, repr. p. 22-23.

Made in America: Ten Centuries of American Art, Minneapolis Institute of Arts, 1995, p. 50, repr. (col.).

Craske, Matthew, Art in Europe 1700-1830, Oxford, 1997, p. 101-102, fig. 36 (col.) and p. 88 (col. det.).

Schaller, Thomas Wells, The Art of Architecture Drawing: Imagination and Technique, New York, 1996, p. 111, 157, repr. (col.), p. 111.

Colbert, Charles, A Measure of Perfection: Phrenology and the Fine Arts in America, Chapel Hill, 1997, p. 61-67, fig. 2.10.

Perrin, Pat, ed., Architecture: An Image for America, Carlisle, MA, 1998, p. 38, repr. p. 3030, repr.

Roters, Eberhard, Malerei des 19. Jahrhunderts, Themen und Motive, Köln, 1998, bd. 1, p. 303, repr.

Toman, Rolf, ed., Klassizismus und Romantik: Architektur, Sculptur, Malerei Zeichnung 1750-1848, Köln, 2000, p. 350, repr. (col.).

Lambourne, Lionel, Victorian Painting, London, 1999, p. 160, 395, fig. 487, p. 393 (col.).

"Architects: Master Designers and Planners," Art-A-Facts, vol. 3, no. 5, April/May 2000, p. 1, repr. (col.).

Kubisch, Natascha and Pia Anna Seger, Ornaments: Patterns for Interior Decoration Based on 'The Practical Decorator and Ornamentalist,' Cologne, 2001, p. 169, repr. p. 168 (col.).

McMaster, Julie A., The Enduring Legacy: A Pictorial History of the Toledo Museum of Art, Superior Printing, Warren, OH, 2001, repr. (col.) p. 33.

Ducan, Sally Anne, Otto Wittmann: Museum Man for All Seasons, Toledo, 2001, 14-15, repr. (col.) p. 15.

Southgate, M. Therese, "The cover," Jama, Journal of the American Medical Association, vol. 286, no. 14, October 10, 2001, p. 1681, repr. on cover (col.).

Swett, Richard, "The leadership challenge, thoughts from Ambassador Richard Swett, FAIA." Focus (AIA, Chicago) vol. 22, no. 1, Jan. 2002, p. 16, repr.

Maynard, W. Barksdale, Architecture in the United States, 1800-1850, New Haven, Yale, 2002, p. 87, 112, repr. p. 50 (col., det.), and fig. 2.27 (col.) p. 89.

Craven, Wayne, American Art: History and Culture, rev. 1st ed., Boston, McGraw Hill, 2003, p. 173, 203-24, repr. p. 171 (col.) and fig. 15.6, p. 203 (col.).

Conn, Steven and Max Page, eds., Building the Nation: Americans Write about Their Architecture, Their Cities, and Their Landscape, Philadelphia, University of Pennsylvania Press, 2003, p. [x], fig. 1.1.

Gervits, Maiia, Leo fon Klentse i Novyi Ermitazh v kontekste evropeiskogo muzeinogo stroitel'stva, Saint Petersburg, lzd-vo "ARS," 2003, p. 17, fig. 7 (col.), p. 18 [text in Russian].

Venturi, Robert and Denise Scott Brown, Architecture as Signs and Systems: For a Mannerist Time, Cambridge, Belknap Press, 2004, p. 12, fig. 2 (col.) p. 13.

Swett, Richard N., Leadership by Design: Creating an Architecture of Trust, Atlanta, Greenway Communications, 2005, repr. on cover (col.).

Reich, Paula, Toledo Museum of Art: Map and Guide, London, Scala, 2005, p. 34-35, repr. (col.) p. 35 and det. col. p. 34.

Danko-McGhee, Katherina, "Nurturing Aesthetic Awareness in Young Children: Developmental Appropriate Art Viewing Experiences," Art Education, vol. 59, no. 3, May 2006, p. 23-24, fig. 1, p. 20.

Aurand, Martin, The Spectator and the Topographical City, Pittsburgh, University of Pittsburgh Press, 2006, pp. 198, 200, fig. 149 (col.).

Miller, Angela L., et al, American Encounters: Art, History and Cultural Identity, Upper Saddle River, Pearson/Prentice Hall, 2008, p. 176, fig. 6.5 (col.).

Toledo Museum of Art, Toledo Museum of Art Masterworks, Toledo, 2009, p. 234-35 and cover, repr. (col.) and (det.).

Reich, Paula, Toledo Museum of Art: Map and Guide, London, Scala, 2009, pp. 34-35, repr. (col.) and (det.).

Switek, Gabriela, Writing on Fragments: Philosophy, Architecture, and the Horizons of Modernity, Warsaw, Poland, University of Warsaw, 2009, p. 185-86, repr. (col.) p. 184.

Matheney, Chris and Cheryl Straker, Ohio Statehouse: A Building for the Ages, The Donning Company Publishers, 2010, p. 15, repr. (col.)

Explore Thomas Cole, Catskills, NY, Thomas Cole House, 2010, Link to resource.

Danze, Elizabeth and Stephen Sonnenberg, eds., Center 17: Space & Psyche, Austin, Center for American Architecture and Design, 2012, p. 90, fig. 1 (col.)

Weinthal, Lois, ed., Toward a New Interior: An Anthology of Interior Design Theory, New York, Princeton Architectural Press, 2011, fig. 2.12, p. 99.

Nerdinger Winfried et al., Der Architekt: Geschichte Und Gegenwart Eines Berufsstandes, Munich, Prestel, 2012, fig. 13, p. 456-57 (repr. col.)

Burrell, Gibson, Styles of Organizing: the Will to Form, London, Oxford University Press, 2013, repr. on cover (col.).

Finch, Alison, ed., Selected Essays of Malcolm Bowie: Dreams of Knowledge, (vol. 1 of a 2 vol. series), London, Modern Humanties Research Association and Maney Publishing, 2013, repr. on cover (col.).

Nemerov, Alexander, "Thomas Cole's Hat: or What's is it to Be an Artist?," The Magazine Antiques, November/December 2014, vol. 181, no. 6, p. 108, repr. (col.) p. 107.

Grabow, Stephen and Kent Spreckelmeyer, The Architecture of Use: Aesthetics and Function in Architectural Design, New York, Routledge, 2015, repr. p. 2, fig. 1.1.

Constantinesco, Thomas and Sophie Laniel-Musitelli, eds., Romanticism and the Philosophical Tradition, Nancy, Press Universitaires de Nancy, 2015, repr. (col.) fig.1.

Minta, Anna, Staatsbauten und Sakralarchitektur in Washington D.C.: Stilkonzepte patriotischer Baukunst, Berlin, Dietrich Reimer Verlag, 2015, repr. p. 413, abb. 5.1.

Blaugrund, Annette, Thomas Cole: the Artist as Architect, New York, Monacelli Press, 2016, p.56-61, repr. (col.) p. 58-59, cover.

Roth, Leland and Amanda C. Roth Clark, American Architecture: A History, 2nd edition, Boulder, CO, Westview Press, 2016, p. 178, repr. fig. 5.23, p. 178.

Chavez Giraldo, Juan David, La Investigacion en los Campos de la Arquitectura: Reflexiones metaodologicas y procedimentales, Bogota, Universidad Nacional de Colombia, 2016, repr. (col.) fig. 5.5 (and 5.6 modified).

Adams, Nicholas, Francis R. Kowsky, and Amy Pickard, Building Buffalo: Buildings from Books, Books from Buildings. Books on Architecture and Landscape from the Rare Book Collection of the Buffalo and Erie County Public Library. Buffalo, New York, Buffalo and Erie County Public Library, 2017, p. 18, repr. fig 1, pg 19.

Holloway, Richard, The Heart of Things: An Anthology of Memory and Lament, Canongate, 2021, p. 71, repr. p. 73.

Adamson, Glenn, "Tomorrow, and Tomorrow, and Tomorrow", The Magazine Antiques, Mar/Apr 2022, repr. col. p. 23.

Blaugrund Annette et al., Thomas Cole's Studio: Memory and Inspiration, Thomas Cole National Historic Site, Hirmer 2022, fig. 6 (col.) p. 90, detail (col.) p.80-81.