Barber Shop
Artist: Jacob Lawrence (American, 1917-2000)
Date: 1946
Dimensions:
21 1/8 x 29 3/8 in. (53.6 x 74.6 cm)
Medium: gouache
Classification: Drawings
Credit Line: Purchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey
Object number: 1975.15
Label Text:“When the subject is strong, simplicity is the only way to treat it.”—Jacob Lawrence
The barbershop has always occupied an essential place for men in African-American society. Not simply a place to get a haircut, it is also a magnet for social interaction, a place to discuss issues of the day. While artist Jacob Lawrence maintained a connection to figurative subject matter throughout his career, he also absorbed Modernism’s tendency towards abstraction. Despite its abstract qualities, Barber Shop is rich in detail, down to the tools of the barber’s trade, the metal footrests on the barber chairs, the hats and coats hanging on the coat rack, and the cigarette (a small bright white rectangle) dangling from one of the customers’ fingers and anchoring the center of the composition.
Through his placement of the six figures, Lawrence creates a visual rhythm in the composition that includes bridges, breaks, changes, and variations—all part of the translation of his love of jazz into a visual medium.
The barbershop has always occupied an essential place for men in African-American society. Not simply a place to get a haircut, it is also a magnet for social interaction, a place to discuss issues of the day. While artist Jacob Lawrence maintained a connection to figurative subject matter throughout his career, he also absorbed Modernism’s tendency towards abstraction. Despite its abstract qualities, Barber Shop is rich in detail, down to the tools of the barber’s trade, the metal footrests on the barber chairs, the hats and coats hanging on the coat rack, and the cigarette (a small bright white rectangle) dangling from one of the customers’ fingers and anchoring the center of the composition.
Through his placement of the six figures, Lawrence creates a visual rhythm in the composition that includes bridges, breaks, changes, and variations—all part of the translation of his love of jazz into a visual medium.
On view
In Collection(s)